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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • White on black keffiyeh

    White on black keffiyeh

    أبيض على كوفية سوداء
    €34,95
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • The meaning of home

    The meaning of home

    معنى البيت
    €4,95 – €17,95Price range: €4,95 through €17,95
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية بيضاء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
Stories
حكايات
Calender
التقويم Various locations, 2026
  • Sharing
The absence of the meaning of home
غياب معنى البيت DDFP Gallery, Spring 2026
  • Sharing
The meaning of home
معنى البيت On-line, 2025–2026
  • Learning
Finding our place
إيجاد مكاننا A year in retrospect, 2025
  • Sharing
Movement in Practice
الحركة في الممارسة Brussels, Winter 2026
  • Sharing
Things that don't sell
الأشياء التي لا تُباع Antwerp, december 2024
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The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
  • Learning
On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
  • Learning
Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
  • Sharing
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
  • Learning
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
  • Learning
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
  • Sharing
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
  • Making
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
  • Sharing
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
  • Making
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
  • Sharing
Call for solidarity
نداء للتضامن Until liberation
  • Sharing
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
  • Learning
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
  • Sharing
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
  • Learning
Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
  • Learning
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
  • Learning
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Stories
حكايات

Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس

    Tags:
  • Learning
  • Making
Ayat Bader at Jabaa Glass experimenting with glass for the design of the "strawy"

Gaza & Jerusalem create-shop 2015
Gaza & Jerusalem, 26 August – 8 September 2015
This year, we were able to organise two create-shops in parallel; both in Gaza as in in Jerusalem. In August and September 18 artists collaborated in Al Ma’mal foundation Jerusalem, and 12 artists at Eltiqa group in Gaza. Both groups were unable to visit each other but exchanged ideas over digital platforms. The programs included guest lectures, screenings, visits to a variety of Palestinian artisans and workshops in and around Jerusalem as well as in the Gaza strip, guided tours, field trips, collective lunches and other relevant activities. Each participant was invited to collaborate with the local producers to develop prototypes for her/his designs together.

Create-shop Eltiqa group, Gaza, 26 august—8 september 2015

 

The aim of the create-shops was to develop useful products that reflect upon Palestinian reality and can be produced in respectively Jerusalem or Gaza. It was a collaborative process with high emphasis on creativity, collaboration, making and quality. Participants experimented and developed ideas collectively, engaged in discussions and were introduced to different craft workshops. The variety of site visits gave an enriching impression of Palestinian crafts — which was as important for the international as it was for the Palestinian participants. The tours were valuable as it gave the opportunity to visit places most participants had never seen before, or did not know existed. This enabled us to unveil unique local qualities that were reflected in the design processes.

Create-shop at Al Ma’mal Foundation, Jerusalem, 25 August—10 September 2015

 

The participants were highly engaged, motivated, committed, generous and open, and everyone got to know each other well. The energy in the group, the sensitivity of the participants, the understanding, the good ambience all resulted in the smooth and creative creation of many ideas for the create-shop. A lot of them were immediately visualised with a mostly hands-on approach of the participants. And with the closed facebook group for all participants the different creative processes were being shared between Jerusalem and Gaza. The Skype sessions with Gaza had a valuable impact on the participants, even though not every skype appointment was possible to succeed. There were electricity and internet problems (actually mainly on the Jerusalem side) that sometimes withheld a skype meeting.

Narrative report Create-shop

Follow the full programme, read the briefing, the process, see all developed designs and engage with the reflections by the participants in this detailed narrative report.

[dflip id=”13787″][/dflip]

 

Al-Ma’mal Create Shop Exhibition 2015

Al-Ma’mal, Old city, Jerusalem (PS), 10 September – 18 September 2015

During this year’s 3-week create shop, 18 artists and designers in Jerusalem and 12 in Gaza have developed remarkable new goods that will soon be sold via the online store. The create-shop course was guided and organized by Disarming Design (Annelys de Vet and Sami Khaldi), and included independent curators, artists and designers such as: Jumana Abboud, Aline Khoury, Benji Boyadgian, Yazan Khalili, Lara Khaldi, Alya Rayyan, and Rudy Luijters.

An exhibition featuring the participants and output from the create-shop took place from September 10 – September 18, 2015 in art center Al Ma’mal in the old center of Jerusalem.

Listen to Areej Ashab at Al Ma’mal in Jerusalem telling the stories of all the different prototypes to the participants in Gaza who were not able to visit the exhibition that included their designs.

Alfalstiniah TV interviews participant Areej Ashab and coordinator Mohammad Saleh about their experiences in and the output of the create-shop.

Organisational team Gaza & Jerusalem

The organizing team included Aline houry (Al Ma’mal), Sami Khaldi, Mohammad Saleh, Teresa Palmieri, Shereen Barakat, Mohamad Abusal (Eltiqa gallery, Gaza) and Annelys de Vet. Mohamad was a stabilizing force and was sensitive for the developments within the group, and was important in the organising or guiding the contact between participants and producers. Teresa took great care of the space and all related matters. Aline was really helpful, involved in planning and directing as an integral part of Disarming Design, even though she is part of Al Ma’mal staff. And Annelys was energetic, motivating, initiating, and leading a smooth flow between the participants and the organizing staff.
.
Most important, Mohamad Abusal did a admirable job in Gaza. He was able to bring together 12 talented artists and guide them in the proces. What was done in Jerusalem with a team, was mostly done by Mohamad by himself in Gaza. He organised excursions, daily meetings, artisan visits and guided the participants in their contact with the producers.
.
Participating artists in Gaza
Shayma Hassanein, Maha Aldaya, Bushra Abed, Maysa Bardaweil, Majdal Nateel, Dalia Abdel Rahman, Raed Issa, Mohamed Hawajri, Omar Shala, Ibrahim Muhtadi, Mohamed Zomar, Rauf Ajouri, Sohail Salem, Mohamed Musallam
.
Participating artists in Jerusalem
Christina Bullata, Raneem Turjman, Sherin Allan, Aya Kirresh, Bashar Hassuneh, Ghadeer Dajani, Vida Daher, Deema Daher, Ayat Bader, Ibrahim Alhindi, Dana Alami, Amani Yaqob, Nashwa Abu Ghaith, Rawan Sader, Riham Isaac, Yasmine Alqutob, Ahmad Yaqob, Sarouna, Areej Ashhab
.
International participants
Monika Grütze, Arthur Röing Baer, Florian Mecklenburg, Hein Van Duppen, Birte Veenkamp

 

 

Products in our collection from this workshop

Private: Holding an olive branch
Cactus fruit candle
theblacksac
Beyond first impressions
‘Everywhere’ fisherman’s box
Gaza birdhouse
Private: Gaza savings pot
Hasakah
Gaza box
Barcelona or Madrid? No, Palestine!
Spiced landscape
Straway
Gaza earrings ‘Love for life’
Proudly Made in Palestine
Jerusalem spell
Gaza hero medal
Cactus fruit candle
About Contact
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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
About Contact
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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