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Call for solidarity
نداء للتضامن Until liberation
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
Facemask from Gaza
قناع الوجه من غزة August 2020
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
Crossing Boundaries lecture
محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
PhD research
أبحاث الدكتوراة ARIA, Antwerp, 2019–2023
Intimate terrains
إقتراب الآفاق Birzeit, 21–29 august 2019
The real and the absent
جسور من الماضي Birzeit, June – September 2019
Young artisans market
سوق الحرفيّين الشّباب Birzeit, 2019
Reworlding Ramallah
إعادة قولبة العالم : رام الله Birzeit, January – April 2019
Thought-provoking December gifts
هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
Collective thinking
تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
My house is your house
البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
Nieuwe Instituut
معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
Amman Design Week
أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
Dream versus reality
الحلم مقابل الواقع Amman, September 2017
Dream Defenders
مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
Design Museum Cologne
متحف التصميم، كولونيا Cologne, 14 May 2017
Henry Van De Velde Awards
جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
Welcome home
الدار دارك Ramallah, 8 – 30 October 2016
Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
Qalandiya international
قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
Ramallah, Create-shop 2014
ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
Eye on Palestine
العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
Conflict & design
التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
Bethlehem, create-shop 2013
ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
Ramallah, create-shop 2012
ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
Subjective atlas of Palestine
أطلس فلسطين الذاتي Ramallah, 2007
Collaborative projects
مشاريع تشاركيّة

Crossing Boundaries lecture
محاضرة "اجتياز الحدود"


Crossing Boundaries lecture at VCUarts
VCUQatar, Doha, 19-22 November 2019
Virginia Commonwealth University School of the Arts in Qatar (VCUarts Qatar) invited us to Qatar for a Crossing Boundaries lecture in 2019. VCUarts Qatar is the Qatar campus of the Virginia Commonwealth University School of the Arts in Richmond, Virginia. Established in 1998 they offer students the opportunity to earn a Bachelor of Fine Arts degree in fashion design, graphic design, interior design and painting & printmaking, a Bachelor of Arts degree in art history and a Master of Fine Arts degree in design.

Each year they host a lecture series intended to reflect diversity of their art and design curricula, as well as highlight the excellence in the field of art, design and creative thinking of invited speakers. They invited us for a lecture and series of workshops about the development of local design from across all disciplines and production capacity through creative processes.

Ghadeer Dajani (design and production manager at DDFP), and Raed Hamouri, (project manager at DDFP), talked about the effect of occupation on local design, how it restricts craft and product development, where politics, design and crafts meet, and how design knowledge and skills can be supported within the Palestinian community through knowledge exchange. They questioned how designers can be empowered to more actively engage in society through collective design-thinking courses and social design impact. How can art and design be deployed as powerful tools triggering dialogue within a community? And how can creative practices contribute to a more sustainable society and human-centered economy?

In addition they gave a series of workshops that were open to the general public, and to Education City faculty and alumni. At the workshops, participants imagined new products based on techniques of items that each of them brought to the class. They focussed on their product’s narratives. What are the complexities? Is there a political dimension behind the product, its production and distribution? What does it mean from a social and ecological perspective?