Traditional ceramic plates sold to tourists depict buildings such as the Church of the Nativity in Bethlehem, the Tomb of Abraham, and the Dome of the Rock in Jerusalem. Five new museums are being developed in Palestine, and a new cultural impulse is underway. These are already historical edifices, which should become part of the building of the common cultural image and find their place in the national and international imaginary of Palestine.
- Martina Petrelli (IT)
Martin Petrelli is an Italian designer and documentarian who has spent most of her life in flux, moving from one country to another. In her travels, she has developed a keen eye for collecting, recording and archiving. In collaboration with Donna Verheijden she filmed a documentary, The House of the Eyes, in the West Bank during the fist Palestinian Art biennale which also coincided with the latest attacks in Gaza.
- Majd Abdel Hamid (PS)
Majd Abdel Hamid is a Palestinian visual artist based in Ramallah. He hopes Disarming Design’s collaborations will give Palestinian visual heritage a tool to reflect its deeper current realities. “It’s something we don’t have within the Palestinian community, design as a discourse. People mainly develop things on their own here. We’re kind of in a static limbo, we’re stuck with symbols, we’re stuck with the Palestinian map, we’re stuck with Handala… This is an opportunity to actually recreate something and have our own form of deconstructionism, not for the sake of deconstruction itself, but rather to rethink our national symbols and our visual narrative.” Majd was the coordinator of Disarming Design in 2012 and 2013.
- Hebron Glass & Ceramics Factory (PS)
The tradition of glassblowing continues today in three factories just north of the city, a short distance between the town of Halhul and Hebron. Two of the factories are owned by the Natsheh family. They produce primarily souvenirs, most of which are also used as household items. A large hall close to each of the factories displays wine glasses, dishes, bowls, flower pots, and other products. Although most objects are not decorated, some have artistically applied glass strings. Metallic decoration is a recent innovation of the industry.
Glass beads for jewellery have traditionally been made in Hebron. Blue beads and glass beads with ‘eyes’ (owayneh) were made and used as amulets since they were considered particularly effective against the evil-eye.
In the old city’s Al-Kazazin quarter (Kazazin meaning ‘people who make glass’), three families operated 14 glass factories. Today, there are only two of them left, run by the Natsheh family. The first Intifada, combined with the affluence of cheap goods from China and the rise in oil prices forced the majority of glass shop owners out of business. Both remaining factories have relocated to the entrance of the city, because tourists are sometimes fearful to go too deep into the old city.
Mr. Hamdi – who runs the Hebron Glass & Ceramics Factory together with his brother -started working when he was 17, in 1967. Nowadays, he exclusively deals with administrative aspects, but he is still capable to tell which one of his workers did which piece just by looking at it. The savoir-faire is passed down from father to son, but some are more talented than others and each glass-blower insufflates his own personal touch into his work. The job is hard, sitting seven hours a day next to an over 1000°C hot oven. Workers learn from early childhood and continuously refine the skill. Hebron Glass is the leading product of those companies. The name originally applied to the national hand-crafted, mouth-blown glass named in Arabic Zujaj Nafakh. Because the color blue is a cultural favorite in the Arab world, Hebron Glass came to describe the blue glass products, both the light turqoise blue (copper blue) and the deep royal blue (cobalt blue). The factories also specialize in a Middle Eastern favorite, Imzakhraf, which is a dot-painted, Arabesque design technique on traditional blown glass.
7 different variants
Ø 27 cm