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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • White on black keffiyeh

    White on black keffiyeh

    أبيض على كوفية سوداء
    €34,95
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • The meaning of home

    The meaning of home

    معنى البيت
    €4,95 – €17,95Price range: €4,95 through €17,95
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية بيضاء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
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Calender
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The absence of the meaning of home
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إيجاد مكاننا A year in retrospect, 2025
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الحركة في الممارسة Brussels, Winter 2026
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عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
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From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
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٢٠٢١ سنة مفصليّة January 2022
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نداء للتضامن Until liberation
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ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
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Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
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Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
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Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
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Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Stories
حكايات

Amman Design Week
أسبوع عمان للتصميم

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The Lab, Darat Al Funun, Amman

Disarming design for Palestine presented at Amman Design Week
Darat al Funun, Amman, October 2017
Art platform Darat al Funun, Amman Design Week and DDFP teamed up for an exhibition with new thought provoking designs that were developed during a create shop with the people of the Gaza camp in Jerash, together with product videos and a presentation of the existing collection of products. Subsequently we joined a panel discussion on how contemporary crafts can make a difference.

During a two-week long workshop in September 2017, a team of Jordanian, Palestinian and Dutch designers collaborated with local craftswomen and men from the Gaza refugee camp in Jerash to collaboratively develop a series of thought provoking products. The workshop sought to create collaborative learning experiences through multidisciplinary and international exchange. The participants produced a line of items that reflect on the reality in the camp and the stories the artisans shared, varying from a wooden labyrinth game to an origami folded bag, and from a luminous clothespin to a baby blanket with embroidered song lines.

A selection of the workshop’s outcomes were taken into production in the camp, and were being exhibited and sold at The Lab at Darat al Funun throughout Amman Design Week, alongside a show of the existing collection of the label. All together the goods were telling alternative stories and reflect upon the function of creative practices in situations of conflict.

Exhibition at The Lab, Darat al Funun

This exhibition displayed the products developed during a two-week long workshop by a team of Jordanian, Palestinian and Dutch designers who collaborated with local craftswomen and men from the Gaza refugee camp in Jerash. Collaboratively they developed a series of thought provoking products. The workshop, guided by Ghadeer Dajani (Disarming Design’s production manager), Annelys de Vet (Disarming Design’s founder), Haya Bustami (Education and Community Outreach at Amman Design Week) and Reem Marji (architect, Darat al Funun team) — plus May Khoury (designer) as visiting tutor — sought to create collaborative learning experiences through multidisciplinary and international exchange. The participants produced a line of items that reflect on the reality in the camp and the stories the artisans shared, varying from a wooden labyrinth game to an origami folded bag, and from a luminous clothespin to a baby blanket with embroidered song lines.

A selection of the workshop’s outcomes were taken into production in the camp, and were being exhibited and sold at The Lab at Darat al Funun throughout Amman Design Week, alongside a show of the existing collection of the label. All together the goods were telling alternative stories and reflected upon the function of creative practices in situations of conflict.

Participating designers: Rand Abu al-Sha’r (JO), Architect, Asja Keeman (NL), Master Student Design Sandberg Instituut, Mohammad Ishtay (PS), Product and interior designer, Tessa Meeus (NL), Master Student Design Sandberg Instituut, Fida Shaffi (PS), Political scientist and designer, Sherida Kuffour (NL/GH), Master Student Design Sandberg Instituut, Nour Nsheiwat (JO), Designer, Rebekka Fries (NL), Sandberg Instituut Design alumni, Mariam S. Shukri (JO), Designer, Qusai al Saify (PS), Founder Origami Palestine, Aya Abu Ghazaleh (JO/PS), Artist  and designer

Participating artisans: Ibtsam Aladine, Nouf Albarbary, Siham Abu Nimeh, Hasan Abu Siam, Saber Abu Masoud, Khadeja Abu Amrah, Sanaa Abu Amrah, Jaber Tayeh, Zainab Abu Jamous, Yusra Abu Sil’a, Farha Khammash, Asma Ayesh, Wisal Al Qadi, Hadeel Abu Amrah, Handa Abu Ateq, Muna Abu Ateq, Widad Sarhan, Aziza Abu khatleh, Zeinab Abu Jarar, Firas Rashid. Acknowledgments to the Amani Charity center

Workshop guidance: Ghadeer Dajani (Disarming Design’s production manager), Annelys de Vet (Disarming Design’s founder), Haya Bustami (Education and Community Outreach at Amman Design Week), Reem Marji (architect, Darat al Funun team), May Khoury (designer), Sara Mahasneh (intern), Isabel Zoetbrood (intern)

 

 

Craft Moves Communities – panel discussion

8 October 2017

How can the act of making help promote economic growth, bring communities closer together, and overcome a variety of social issues? In this panel discussion, chaired by the editor of Crafts magazine, Grant Gibson, speakers from Disarming Design from Palestine, The Jordan River Foundation, the Princess Taghrid Foundation explain how craft is capable of making a difference, highlighting the power of collaboration and sustainable programs in craft. 

See also: Amman Design Week, The Lab, Darat Al Funun

Read about it in the press:

Workshop Kickoff: DDFP x ADW x Darat al Funun
Craft Moves Communities: Discussion panel, moderated by Grant Gibson
‘Disarming Design from Palestine’ programme, Jordan Times, 11 June 2017
Amman Design Week tackles five regional issues, Frame, 11 October 2017
Amman Design Week, Jdeed, 11 October 2017
Field Review: Amman Design Week, ArteEast, 2017

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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
About Contact
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
facebook
The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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