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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • The meaning of home

    The meaning of home

    معنى البيت
    €4,95 – €17,95Price range: €4,95 through €17,95
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية سوداء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
  • Poetic nights

    Poetic nights

    ليالٍ شعريّة
    €24,95
Stories
حكايات
Calender
التقويم Various locations, 2026
  • Sharing
The absence of the meaning of home
غياب معنى البيت DDFP Gallery, Spring 2026
  • Sharing
The meaning of home
معنى البيت On-line, 2025–2026
  • Learning
Finding our place
إيجاد مكاننا A year in retrospect, 2025
  • Sharing
Movement in Practice
الحركة في الممارسة Brussels, Winter 2026
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Things that don't sell
الأشياء التي لا تُباع Antwerp, december 2024
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The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
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On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
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Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
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Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
  • Learning
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
  • Learning
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
  • Sharing
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
  • Making
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
  • Sharing
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
  • Making
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
  • Sharing
Call for solidarity
نداء للتضامن Until liberation
  • Sharing
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
  • Learning
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
  • Sharing
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
  • Learning
Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
  • Learning
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
  • Learning
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Stories
حكايات

Hosh Jalsa
حوش جلسة

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  • Learning
Court yard of Hosh Jalsa, photo Nayef Hamouri

Hosh Jalsa, Community building
Birzeit, 2018 – 2020
From 2018 to 2020, Disarming Design from Palestine ran a community-based learning and action space, Hosh Jalsa, located in the heart of the Old City of Birzeit.

The space consisted of a social café, design library, a flex workspace, gallery, our office and in addition we had two guest rooms for residencies. We aproached it as a place for knowledge exchange and community building in relation to contemporary design, with a range of public activities, that empowered us to imagine alternative schooling for design. The centre was ran by Raed Hamouri and Ghadeer Dajani.

Interview by Mena Catalysts of executive director Raed Hamouri.

We invested in conditions for a learning experience that focuses on economic, political and artistic independence. How can artistic action in a suppressed reality be used to develop new knowledge? How can designers actively co-design the emancipatory and social impact of a design? What are the conditions, and potential for this in the Palestinian context?

Interview by Mena Catalysts of designer and production manager Ghadeer Dajani.

During our time at Hosh Halsa we opened our doors for external initiatives and set up several meeting ourselves. Hereby a small selection of the design related activities that we initiated.

Coffee talk on Heritage Architecture in Birzeit
31 October 2018, Hosh Jalsa, Birzeit
A coffee talk by Architects and Architecture student in Birzeit University on Heritage Architecture in Palestine; focusing on the old city of Birzeit. Residents of heritage buildings attended and shared their practical understanding of ancient houses’ design with professional and students of acrhitecture in Palestine.

Basics in architectural sketching course by Michael Jabareen
October – November 2018
Architect, designer and teacher Michael Jabareen offered a weekly course in architectural drawing that included basic drawing skills, live-drawing of buildings and a visit to the oldest olive tree in Bethlehem.

Visit of Belgian art professionals
8 October 2018
Flanders Arts Institute organised a working visits to a city, or to Amman, Ramallah, Jerusalem and Haifa, to give the opportunity for artists and art professionals working in Flanders (Belgium) to expand their network and to share knowledge with peers. Together with artist Samah Hijawi, they organised a multi-city trip to meet artists, theater makers, musicians and cultural organisations. The aim of the trip was to meet new people, reconnect, share practices, and make interesting connections for future encounters. They visited Disarming Design for a tour, lunch and engaging conversation.

Expert meeting on design education with Annelys de Vet
7 October, 2018
On the long term we want to establish a critical design program where we focus on the impact of design in an oppressed and politicised reality. Part of this would be a masters program at the Sandberg Instituut in Amsterdam. We imagine an exchange on knowledge that feeds to the economic, political and artistic independence of designers. How can a designer actively co-design the political, economic and social impact of a design?

To develop the idea’s and get a better understanding of the needs, we organized an expert meeting. Together with some excellent practitioners we brainstormed about what kind of model and what kind of curriculum would be wished; what are the needs from the local designers; what do they believe is important for such a program?

Software courses on revit and photoshop by Michael Jabareen
October – November 2018
Architect, designer and teacher Michael Jabareen offered a course of 10 days spread over 6 weeks in the software Revit and another in Photoshop. Both courses 10 students participated.

The Doodler Workshop by Michael Jabereen
27 JULY – 31 august 2019
A 30-hour collective doodling workshop, for comics’ performers, cartoonists and doodlers to work on a concept-based piece of comic art and doodling. All artists worked on a one art piece and combined their styles in one concept and story. Participants worked on exercises that reflected through drawing on Palestinian and global humanitarian issues. The collective canvas of 3 x 2. 5m presented a range of issues based on everyday life, personal experiences, contemporary interests and historical narrative.

Hosh Jalsa was located in the historic city of Birzeit at Municipality Road 24, then minutes driving from Ramallah.

About the building
This heritage building was built in 1885 (according to the milestone on the top floor), and was the residence of the  Nasser-family,  including the former mayor of Birzeit Tawfiq Nasser. The building was designed according to Palestinian architecture of a court yard surrounded by two floors with rooms and terraces. The building has been demolished partially during WWI and WWII, and has been renovated in the year 2010 by Riwaq Foundation, and was put to use as a public space for society enterprises.

Unfortunate closure
Since March 2020 when the COVID crisis started, we haven’t been able to organise public events in our community center anymore; neither were we able to keep the kitchen and gallery open. Therefore, we were forced, with profound sadness, to close down the unique place that Hosh Jalsa was. However, the networks we had activated through the place and its spirit, persist, and collaborations will continue.

Acknowledgements
Hosh Jalsa was ran by Raed Hamouri & Ghadeer Dajani, with inspiring input by Michael Jabareen and a group of amazing volunteers consisting of Khaled Ladadweh, Salem Shoubaki, Kareem Khalid Rateb Bakri, Laith Khanfar, Nasma Khdairi, Heyam Abo Libdeh Saba Rjoub, Marah Barghouthi, Yara Atwan, Noor Totah, Fatima Nafee, Bilal Ismael, Noor Awwad, Sarah Zaben

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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
facebook
The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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