Meeting the women of the Gaza refugee camp in Jerash, Jordan, what struck Aya Abu Ghazaleh were their strong memories of their native villages and their existential longing to visit, and go back to, Palestine. But time and generations have distorted their mental images. “Our memories of our homeland Palestine can be tricky and forged. What do we remember? Windows? Doors? Domes? What were their colours?”, they say. This memory belt shows the distorted images of the houses, but, at the same time, it is literally holding them together. And in the little pocket on the inside, the most precious thoughts and objects can be kept close.
- Aya Abu Ghazaleh (PS, JO)
Aya Abu Ghazaleh received her bachelor’s degree in visual arts from The University of Jordan in 2013 with honor. She has participated in a number of group exhibitions in: Amman design Week, I:OArt Residence Bahçecik Izmit, Turkey, Palestinian art court/ Jerusalem , Naila gallery/ Ryiadah, Cairo-Amman, Bank Gallery, The Spring Sessions, Fondazione Cini/ Venice, The Lab/ DaratAlfunon, University of Jordan Library, Nabad Gallery, The Studio.
- Gaza Refugee Camp (PS)
Gaza camp is a refugee camp near Jerash, where almost 40,000 Palestinian refugees are living. They, their parents or grandparents, fled from Gaza in 1967, when Israel invaded the Gaza strip, which was at that time under Egyptian rule. These Palestinian refugees never received Jordanian citizenship. Until today they don’t have a national number and are therefore stateless. As such, they aren’t allowed to work, don’t have access to regular healthcare, and they can’t afford to further their education outside the camp. If they would like to get a job, they need to buy a working permit of 500 JOD (± € 600), which is only valid for 6 months. So for most people this doesn’t make any sense at all. One cannot understand how these people aren’t offered any way out, no right to return, no status, no opportunities, no future. These Palestinian refugees have lived under inhumane conditions for 50 years now. Although we were aware that we were visiting one of the poorest camps in Jordan, nobody expected that the refugees struggle this much. We were silenced, speechless, saddened, angry, but above all we felt powerless and were struggling how to relate to this uncomfortable truth. Some felt really depressed, others were fighting with feelings of guilt for not taking enough action, and at the same time we felt unease in being part of a van with international visitors, being dropped at places in the camp to visit, watch and leave. It underlined our privileged position and the bubble we live in.
By: Zeinab Abu Jarar, Handa Abu Ateq, Muna Abu Ateq, Wisal al Qadi, Zainab Abu Jamous (Gaza Camp, Jerash, JO)
Cotton, embroidery, zipper
Identity = health
الهوية = الصحة
Half a decade before the Covid-19 pandemic، Gaza-born artist Mohammed Musallam created a face mask based on the traditional keffiyeh textile. The conceptual artwork could be seen both as an expression of Palestinian identity and as a means of protection; caring for identity is as important as protecting health itself. It was first used in Gazan hospitals under the Israeli occupation’s siege. Impossible at that time to foresee the impact of Covid-19; this face mask shows the power of artistic imagination. The artwork did not lose any of its meaning; just the contrary.
Gaza’s potentially disastrous combination of widespread impoverishment, densely-packed refugee camps and extremely limited hospital capacity make us even more aware of the catastrophic impact of the Israeli occupation and how fragile life can be. Caring for each other is more important than ever.
Under Musallam’s supervision, the new masks were produced in Gaza City by tailor Abu Alaa Ghaben; to be worn for your safety and as an act of solidarity.
- Mohammed Musallam (PS)
Mohammed Musallam was born in Gaza in 1974 after his family had been dislocated from the historic Palestine as a consequent of the 1948 war. He holds a PhD in philosophy of Fine Arts, Painting Department, Fine Arts College, Minia University, Egypt. He currently resides in Gaza and works there as a lecturer of “Painting and the History of Palestinian Arts” at the College of Arts, Al Aqsa University. From his first steps as a university student he became greatly influenced by the abstract art processes and approaches. In his Art, he focuses on portraying a range of humanistic issues, which go beyond the limitations imposed by any prevailing time-related matters, which may be oppressive and persistent simultaneously. At the same time, he concentrates on conveying the notion of the preservation of our humaneness amid the harshness of our environment as one of the most important reasons for our existence.
- Abu Alaa Ghaben (Gaza, PS)
Carpenter living in Gaza City.
Multi layered face-mask (front side keffiyeh textile, backside white cotton) with elastic straps, washable & reusable
19 x 9 cm
€9,95 – €12,95