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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • The meaning of home

    The meaning of home

    معنى البيت
    €4,95 – €17,95Price range: €4,95 through €17,95
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية سوداء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
  • Poetic nights

    Poetic nights

    ليالٍ شعريّة
    €24,95
Stories
حكايات
Calender
التقويم Various locations, 2026
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The absence of the meaning of home
غياب معنى البيت DDFP Gallery, Spring 2026
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The meaning of home
معنى البيت On-line, 2025–2026
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Finding our place
إيجاد مكاننا A year in retrospect, 2025
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Movement in Practice
الحركة في الممارسة Brussels, Winter 2026
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Things that don't sell
الأشياء التي لا تُباع Antwerp, december 2024
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The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
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On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
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Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
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Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
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Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
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Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
  • Sharing
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
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2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
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From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
  • Making
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
  • Sharing
Call for solidarity
نداء للتضامن Until liberation
  • Sharing
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
  • Learning
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
  • Sharing
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
  • Learning
Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
  • Learning
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
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Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Stories
حكايات

Masters programme Disarming design
ماجستير معهد ساندبرج

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Campus Rietveld Academie and Sandberg Instituut

Temporary masters programme 'Disarming design', Sandberg Instituut Amsterdam
Sandberg Instituut Amsterdam, 2020 — 2022
‘Disarming Design‘ is a two-year Master programme at the Sandberg Instituut Amsterdam committed to design practices that deal with conditions of conflict, oppressive forces and entangled histories. Operating at the intersection of design, crafts, community and politics, the programme derives from the experiences of the long-term collaboration between the Design Department at the Sandberg Instituut and the design platform ‘Disarming Design from Palestine’, but operates independently.
  • Follow the Sandberg Disarming Design Departmant on instagram

 

The temporary master’s programme is committed to cooking, making, weaving, screening, giving, talking, playing, mapping, workshopping, sensing, celebrating, reclaiming, documenting, forming, witnessing, juxtaposing, tripping, translating, transposing, sculpting, publishing, and unfolding.

”Disarming” positions design as a cultural tool to oppose authority and create knowledge with affection, desire, and imagination. The curriculum aims to question, challenge, and locate the emancipatory potential of design and other organizational art forms. We uphold artistic practices that deal with conditions of anti-coloniality, activism, and entangled histories, and operate at the intersection of crafts, language, architecture, community, politics, and translation.

The programme focuses on the artistic work of the participants—helping them find their own methods, language, and tools—in addition to participative projects brought in by the team and institution. It is set up as a studio-space-led programme where students receive feedback from peers and tutors on their research, projects, and practices. The curriculum has an open structure and forms its final shape in response to the students’ different initiatives, collaborations, and developments.

  • Story on ACED-platform-instagram by Sarah Saleh and Jara van Teefelen

The first year generated a cross-pollination of ideas and initiatives, alongside a questioning of the conditions in which the work and programme existed. Attention was on wayfinding, experimenting with new platforms, synchronizing languages, and responding to changing and challenging conditions. We moved as a department to an external self-ran location. Students campaigned for Palestinian rights and wrote an open letter to the board asking for a public statement to speak out against violence and oppression, and condemn all actions that violate human rights.

The second year started with an exhibition Disclosing Discomforts, that sketched research through action, participation, performance, and installation. The research further deepened through and in the essay that each student wrote. All together, this lead to the development of experimental practices that seek to imagine and enact ways of being together otherwise.

 

More information

  • Bilboard of solidarity, by Disarming Design participants, May 2021
Disarm.design, website made by Disarming Design participants, at the momentum which started with social media documentation of the ethnic cleansing of Palestinians in East Jerusalem (Sheik Jarrah) which has catalyzed a historical moment, ripe for transformation – may 2021.

 

TypeLab Sandberg, represented by Mohamed Gaber @gue3bara and Farah Fayyad @farahfayyad , stands against the ethnic cleansing of Palestine by the violent settler colonial state of Israel: “We are witnessing an attempted genocide happening in real time. We invite all our workshop participants and followers to make a free lettering of the word Palestine – فلسطين. “

 

DIWAN talks: Institutional Solidarity
Friday, May 28, 2021 / 18.30 – 20.30 CEST, Photo: Augustina Woodgate
The Disarming Design department hosted DIWAN for a conversation that responds and reflects on institutional solidarity, especially as it has come into focus during the last weeks due to the escalating violence against the Palestinian people. They opened up their space across radio waves and digital channels with students, artists, and cultural practitioners—independent as well as institutional workers. The event was moderated by members of DIWAN, PUB Radio, and Sandberg students.

 

  • Language cafe, were two zoom-based meetings revolving around language, design, translation, and politics – rooting its conversations within and through contemporary perspectives from the Arabic speaking region and the diaspora. This edition “The Language of Oppression and Resistance” was a collaboration of the Cairography Collective in tandem with the ‘Disarming Design’ Master’s program at the Sandberg Instituut, Amsterdam – hosted at Kunsthal Ghent.

About the Sandberg Instituut

As the postgraduate programme of the Gerrit Rietveld Academie Amsterdam, the Sandberg Instituut offers Master Programmes in Fine Arts, Interior Architecture and Design.

The five Main Departments aim to deepen the practices of artists, designers and critics. In addition, the Temporary Programmes reflect on specific urgencies in society and the arts, and the Hosted Programmes focus on collaboration with other institutes. Sandberg Instituut’s Main Departments are Critical Studies, Design, The Dirty Art Department, Fine Arts and Studio for Immediate Spaces. An average of only twenty students per programme allows each course to be flexible and open to initiatives from students and third parties. The course directors, who are prominent artists, designers, theorists and curators with international practices, invite tutors and guests who are able to challenge the students to critically reflect on their profession, their work and their progress. The two-year Temporary Programmes are developed according to urgent world issues.

Visit the website of the Sandberg Instituut

 

Groupphoto Disarming Design participants, October 2020

 

Team

Participants:
Lama Aloul, Saja Amro, Julina Vanille Bezold, Rasha Dakkak, Farah Fayyad, Mohamed Gaber, Anna Garcia Gómez, Ayman Hassan, Siwar Kraitem, Ott Metusala, Naira Nigrelli, Karmel Sabri, Qusai Al Saify, Sarah Saleh, Mohammed Tatour, Jara van Teeffelen, Samira Vogel

Head of programme:
Annelys de Vet

Coordinator:
Francisca Khamis

Tutors:
Hannes Bernard, Flavia Dzodan, Rana Ghavami, Lara Khaldi, Yazan Khalili, Sherida Kuffour, PING (Agustina Woodgate, Miquel Hervás Gómez, Sascha Krischock), Huda Smitshuijzen-Abifares, Jonas Staal, Annelys de Vet

Guests:
Tunde Adefioye, Hazem Alqaddi, Salim Bayri, Jurgen Bey, Cara Crisler, Foundland, Loraine Futer, Pascal Gielen, Anja Groten, Jeanne van Heeswijk, Brigitte Herremans, Juliette Lizotte, Sekai Makoni, Bahia Shehab, Marni Slater, Ana Teixeira Pinto, Julien Thomas, Robin Vanbesien, Petra Van Brabandt, Daniel van der Velden

 

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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
About Contact
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
facebook
The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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