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On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
Call for solidarity
نداء للتضامن Until liberation
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
Facemask from Gaza
قناع الوجه من غزة August 2020
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
Crossing Boundaries lecture
محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
Intimate terrains
إقتراب الآفاق Birzeit, 21–29 august 2019
The real and the absent
جسور من الماضي Birzeit, June – September 2019
Young artisans market
سوق الحرفيّين الشّباب Birzeit, 2019
Reworlding Ramallah
إعادة قولبة العالم : رام الله Birzeit, January – April 2019
Thought-provoking December gifts
هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
Collective thinking
تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
My house is your house
البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
Nieuwe Instituut
معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
Amman Design Week
أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
Dream versus reality
الحلم مقابل الواقع Amman, September 2017
Dream Defenders
مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
Design Museum Cologne
متحف التصميم، كولونيا Cologne, 14 May 2017
Henry Van De Velde Awards
جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
Reaching beyond borders
تجاوز الحدود January, 2017
Welcome home
الدار دارك Ramallah, 8 – 30 October 2016
Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
Qalandiya international
قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
Ramallah, Create-shop 2014
ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
Eye on Palestine
العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
Conflict & design
التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
Bethlehem, create-shop 2013
ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
Ramallah, create-shop 2012
ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
Subjective atlas of Palestine
أطلس فلسطين الذاتي Ramallah, 2007
Subjective atlas of Palestine
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Subjective atlas of Palestine
أطلس فلسطين الذاتي

Palestinian artists mapping their country as they see it

Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? More than 30 Palestinian artists, photographers, and designers were invited to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape, architecture, cuisine, music, and poetry of thought and expression. The contributions give an entirely different angle on a nation in occupied territory.

In this subjective atlas, it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.

 

Design
  • Annelys Devet (NL)

    Artistic director & Co-founder, Annelys Devet (1974, NL) is a Brussels based designer, initiator and curator, founder of a bureau for graphic research and cultural design DEVET. Since 2009 she heads the master in design ‘Think tank for visual strategies’ at the Sandberg Instituut Amsterdam (Masters Rietveld Academie) — where she earned an MDes herself in 1999. She is the co-founder and director of the inclusive design label ‘Disarming Design from Palestine’ that develops, presents and sells useful products from Palestine. The goods are designed during yearly workshops in Palestine with local and international designers that research existing production methods to produce new products that narrate about Palestine’s current reality. Since 2003 De Vet initiated a series of subjective atlases that map countries from a human perspective; including Subjective atlas of Palestine (2007), Subjective atlas of Mexico (2011), Subjective atlas of Fryslân (2013) and Subjective atlas of Colombia (2015) – the next edition will map Pakistan (2016). De Vet co-organized the Masterclass Mediafonds@Sandberg (2009–2015) which is a laboratory for new forms of digital storytelling for media makers, journalists, artists and designers. From 2003 to 2007 she initiated, designed and organized the ’Temporary Museum Amsterdam’, which was the side program of the art fair Art Amsterdam. She co-curated the exhibition ‘UNMAPPING THE WORLD’ on critical contemporary mapping practices, for the ExperimentaDesign biennale 2014 in Lisbon and for the international Graphic Design Festival in Chaumont (2015).

Production
  • Subjective Editions (BE)

    Subjective Editions is a publishing initiative that develops and disseminates bottom-up engaged mapping publications. An expanding series of subjective atlases is being made in collaboration with local communities. These volumes map out a country, region or geopolitical entity in a personal way by the inhabitants themselves.

    During several workshops artists, designers, photographers and architects are invited to map their country, environment or social concerns from their own perspective. They capture their engagement in maps, graphs, inventories, flags or drawings. Personal involvement is the starting point to produce human, unconventional and just images.  Each work stems from involvement with the subjects and takes an engaged, critical and transparent position, not a neutral or so-called objective one. 

    As such, the contributions not only show their own story, but also develop meta-reflections on contemporary forms of living together and community building. This creative trajectory illustrates how design can be an important tool for soft power and how it helps to imagine a different future. The Subjective Atlas is therefore also a proposition for a creative mentality that is politically engaged, socially sensitive, collaborative in nature and transdisciplinary in its method, to expose the consequences of political change, but discreetly, implicitly and not as a goal. 

    The publications show, above all, a complex reality that is often blinded by overly simplistic media images. As a powerful series of alternative, copyright-free cartographies they can serve as an inspiring, publicly available tool to critically question the apparently objective.

    http://subjectiveatlas.info/atlas/

  • 2012

    English

    Softcover book, full color, 160 p.

    16.5 x 22 cm

24,50

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