The embroidery on this scarf is based on a traditional scarf in Gaza with a flower pattern. This contemporary version adds the silhouettes of the omnipresent drones of the Israeli occupation, ancoring the embroidery in its storytelling heritage.
The embroidery is done by women who are hard of hearing, working in the Open Studio of the Red Crescent Hospital in Khan Younis.
- Disarming Design Team
The Disarming Design team consists of the core members of the project and develop idea’s collectively for new products in collaboration with the many wonderfull producers that they meat.
- Open Studio (PS)
The Open Studio is a center in Khan Younis where knowledge and know-how are exchanged. Khan Younis is a small town in Gaza with a large refugee camp that has existed for over 60 years and is still growing. It is an Islamic Arab culture that has been cut-off from the outside world; the largest prison on earth. If the political situation allows, artists from abroad visit the Open Studio to participate and teach.
Embroidery on cotton
150 x 40 cm
Identity = health
الهوية = الصحة
Half a decade before the Covid-19 pandemic، Gaza-born artist Mohammed Musallam created a face mask based on the traditional keffiyeh textile. The conceptual artwork could be seen both as an expression of Palestinian identity and as a means of protection; caring for identity is as important as protecting health itself. It was first used in Gazan hospitals under the Israeli occupation’s siege. Impossible at that time to foresee the impact of Covid-19; this face mask shows the power of artistic imagination. The artwork did not lose any of its meaning; just the contrary.
Gaza’s potentially disastrous combination of widespread impoverishment, densely-packed refugee camps and extremely limited hospital capacity make us even more aware of the catastrophic impact of the Israeli occupation and how fragile life can be. Caring for each other is more important than ever.
Under Musallam’s supervision, the new masks were produced in Gaza City by tailor Abu Alaa Ghaben; to be worn for your safety and as an act of solidarity.
- Mohammed Musallam (PS)
Mohammed Musallam was born in Gaza in 1974 after his family had been dislocated from the historic Palestine as a consequent of the 1948 war. He holds a PhD in philosophy of Fine Arts, Painting Department, Fine Arts College, Minia University, Egypt. He currently resides in Gaza and works there as a lecturer of “Painting and the History of Palestinian Arts” at the College of Arts, Al Aqsa University. From his first steps as a university student he became greatly influenced by the abstract art processes and approaches. In his Art, he focuses on portraying a range of humanistic issues, which go beyond the limitations imposed by any prevailing time-related matters, which may be oppressive and persistent simultaneously. At the same time, he concentrates on conveying the notion of the preservation of our humaneness amid the harshness of our environment as one of the most important reasons for our existence.
- Abu Alaa Ghaben (Gaza, PS)
Carpenter living in Gaza City.
Multi layered face-mask (front side keffiyeh textile, backside white cotton) with elastic straps, washable & reusable
19 x 9 cm
€9,95 – €12,95