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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • White on black keffiyeh

    White on black keffiyeh

    أبيض على كوفية سوداء
    €34,95
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • The meaning of home

    The meaning of home

    معنى البيت
    €4,95 – €17,95Price range: €4,95 through €17,95
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية بيضاء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
Stories
حكايات
Calender
التقويم Various locations, 2026
  • Sharing
The absence of the meaning of home
غياب معنى البيت DDFP Gallery, Spring 2026
  • Sharing
The meaning of home
معنى البيت On-line, 2025–2026
  • Learning
Finding our place
إيجاد مكاننا A year in retrospect, 2025
  • Sharing
Movement in Practice
الحركة في الممارسة Brussels, Winter 2026
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Things that don't sell
الأشياء التي لا تُباع Antwerp, december 2024
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The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
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On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
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Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
  • Sharing
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
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Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
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Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
  • Sharing
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
  • Making
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
  • Sharing
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
  • Making
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
  • Sharing
Call for solidarity
نداء للتضامن Until liberation
  • Sharing
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
  • Learning
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
  • Sharing
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
  • Learning
Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
  • Learning
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
  • Learning
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Stories
حكايات

Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥

    Tags:
  • Learning
  • Making
Exchanging ideas about possible designs, Hosh Qandah, Ramallah, September 2016

Create-shop organised in collaboration with Ramallah Municipality
Ramallah, August – September 2016

On the invitation of Ramallah Municipality we have organized a design-create-shop in their new cultural space ‘Hosh Qandah’ from 28th of August to the 8th of September. During this course 9 Palestinian artists and designers collaborated with 5 international designers and over 16 artisans. Together they researched contemporary Palestinian identity and how to express that through useful locally made products.

Over the course of 2 weeks all participants collaborated intensely and discussed and improved their ideas amongst each other and in conversation with visiting critics. Activities that took place varied between guest lectures, screenings, visits to a variety of Palestinian artisans and workshops in and around Ramallah, a guided tour through the old and new City, a collective hike, collective lunches and other relevant activities. These activities and visits were inspirational, empowering and significant on a number of levels. It helped to bring the group closer to each other, releasing and giving a lot of energy as well as bringing a deeper understanding of Palestinian political reality, Palestinian artisanship, culture, design and society. It also puts the participants in close contact with artisans, directly interacting with them, design, develop, and implement altogether.

At the end of the create-shop 18 proposals for new designs were presented, which will be refined and developed further in the months following. During the final public presentation on 8th of September in Hosh Qandah we collected feedback from the audience, which the participants carried with them in the finalisation of their designs.

Some feedback of the participants
.
May Marei: “I have communicated with my origin in Palestine in a different way; listening to the experiences of the internationals has made me reappreciate the land of Palestine even more and it increased my belief in my identity as a Palestinian.”
Joao Roxo: “I learned about the richness of the culture and the – at times – seemingly infinite amount of symbols, stories and crafts this place and its people have to give. I was really touched by the Palestinians as a people, as they are really hospitable and knowledgeable about Palestinian culture. Adding to this, it was impressive how everyone has been so creative and collaborative in finding the right product to develop for the project. I feel that every product is a result of the collective effort of the participants.”
Maram Sublaban: “I learned that it’s not hard to think of something not necessary there, and then bring it to life. I was very impressed by the Palestinian industries that I’ve never witnessed so closely and realized the high quality of it.”
Bushra Hasonah: “This create-shop taught me a lot of skills like using leather and look at design as an art work. It was a professional workshop in all levels.”
Ala’a Wahdan: “I learned how I can develop an idea and make a prototype of it in a short time.”
Floris van Driel: “… I found a certain humbleness in Ramallah, which I think is sometimes easy to forget when you’re studying in a western, privileged city like Amsterdam.”
May Marei: “This workshop was a very good example to me on good team work, there was a kind of harmony created among the participants.”

 

Designer Juliette Lizotte participated in the create-shop and recorded this video-diary:

Narrative report Create-shop

Follow the full programme, read the briefing, the process, see all developed designs and engage with the reflections by the participants in this detailed narrative report.

[dflip id=”13759″][/dflip]

The create-shop was guided and organized by:
DDFP (Annelys de Vet, Mohammad Saleh and Ghadeer Dajani)
and included presentations and critics by:
Khaled Hourani (artist, PS), Reem Shilleh (filmmaker/curator, PS), Mohammad Anati (handyman, PS), Foaad Maadi (Ramallah tourguide, PS) and Juliette Lizotte (designer, FR)

Participants
Nine contemporary Palestinian designers, artists and students participated with an interest in crafts and production, who were able to rethink products from a conceptual approach. In addition four international master students of the Sandberg Instituut Amsterdam joined the create-shop. 
Hadeel Qutna, uqa AlSaraj, Ibrahim Al Hindi, Ala’a Wahdan, Amani Jacob, Bushra Hasonah, Maram Sublaban, May Marei and Raed Hamouri
and Floris van Driel, Andrea Karch, Joao Roxo and Biyi Zhu

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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
facebook
The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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