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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
  • Products
    تصميماتنا
  • Stories
    حكايات
  • About
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,50
  • Bird plate

    Bird plate

    صحن الطّيور
    €32,50
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €24,50
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,50
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €25,00
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,50 – €79,50
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €17,00 – €19,00
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية سوداء
    €29,50
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €10,00
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €29,50
  • Tears

    Tears

    دموع
    €7,50
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €59,50
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €37,50
  • Basta

    Basta

    بسطة
    €39,50
  • Poetic nights

    Poetic nights

    ليالٍ شعريّة
    €20,00
  • Black Keffiyeh

    Black on black keffiyeh

    أسود على كوفية سوداء
    €29,50
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €59,50
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €7,50 – €9,50
  • Yellow cab toy

    Yellow cab toy

    لعبة السيرفيس الأصفر
    €35,00
  • theblacksac

    theblacksac

    الحقيبة السوداء
    €199,00
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €47,50
  • Coloured Keffiyeh

    Coloured keffiyeh

    الكوفية الملوّنة
    €29,50
  • Unveiled souls

    Unveiled souls

    أرواح مكشوفة
    €19,50
  • Maisa

    Maisa

    ميساء
    €35,00
  • Lullaby

    Lullaby

    تهويدة
    €60,00
  • Nabulsi soap

    Nabulsi soap

    صابون نابلسي
    €6,50
  • Everywhere Palestine

    Everywhere Palestine

    فلسطين في كلّ مكان
    €60,00
  • Memory belt

    Memory belt

    حزام الذاكرة
    €45,00
  • Freedom shoes

    Freedom shoes

    أحذية الحرّية
    €145,00
  • Gaza scarf

    Gaza scarf

    وشاح غزة
    €95,00
  • Heirloom seeds

    Heirloom seeds

    بذور بلديّة
    €7,50
  • Awakening Goggles

    Awakening goggles

    قناع الصحوة
    €25,00
  • Hasakah

    Hasakah

    الحسكة
    €150,00
  • ‘Everywhere’ fisherman’s box

    ‘Everywhere’ fisherman’s box

    صندوق صيّاد السمك "من كلّ مكان"
    €60,00
  • Gaza Birdhouse

    Gaza birdhouse

    بيت العصفور الغزّاوي
    €12,50
  • Cactus fruit candle

    Cactus fruit candle

    شمعة الصبّار
    €8,50
  • Face Mask

    Identity = health

    الهوية = الصحة
  • Watermelon wallet

    Watermelon wallet

    محفظة البطيخ
    €19,50
  • Barcelona or Madrid? No, Palestine!

    Barcelona or Madrid? No, Palestine!

    برشلونة او مدريد؟ لا، فلسطين!
    €0,50
  • Proudly Made in Palestine

    Proudly Made in Palestine

    صنع في فلسطين، بفخر
    €25,00
  • Watchtowers and water tanks game

    Watchtowers and water tanks game

    لعبة أبراج المراقبة وخزّانات المياه
    €245,00
  • Checkpoint brush

    Checkpoint brush

    فرشاة الحاجز
    €25,00
  • Gaza box

    Gaza box

    صندوق غزة
    €60,00
  • Vicious circles

    Vicious circles

    حلقات مفرغة
    €14,50
  • Under the olive tree

    Under the olive tree

    تحت الزّيتونة
    €25,00
  • Under construction

    Under construction

    صحن "قيد الإنشاء"
    €20,00
  • Stress ball

    Stress ball

    كرة التّوتر
    €9,95
  • Straway

    Straway

    طريق المصّاصة
    €27,50
  • Spiced landscape

    Spiced landscape

    مشهد من التوابل
    €12,50
  • Soccer keffiyeh

    Soccer keffiyeh

    كوفية كرة القدم
    €40,00
  • Old news from Palestine

    Old news from Palestine

    أخبار قديمة من فلسطين
    €35,00
  • Relax (hardly) pillow

    Relax (hardly) pillow

    وسادة الإسترخاء بصعوبة
    €17,50
  • Blanco

    Blanco

    القميص الأبيض
    €75,00
  • Made in Palestine

    Made in Palestine

    صنع في فلسطين
    €90,00
  • In-between

    In-between

    بين
    €35,00
  • Jerusalem spell

    Jerusalem spell

    سحر القدس
    €15,00
  • Hide and see travel pouch

    Hide and see travel pouch

    محفظة السّفر "إخفاء وإظهار"
    €60,00
  • Gaza hero medal

    Gaza hero medal

    ميداليّة بطل غزة
    €10,00
  • Disengaged observer outfit

    Disengaged observer outfit

    زيّ المراقب الدّولي
    €75,00
  • Daftar

    Daftar

    دفتر
    €9,95
Stories
حكايات
The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
  • Learning
On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
  • Learning
Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
  • Sharing
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
  • Learning
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
  • Learning
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
  • Sharing
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
  • Making
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
  • Sharing
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
  • Making
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
  • Sharing
Call for solidarity
نداء للتضامن Until liberation
  • Sharing
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
  • Learning
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
  • Sharing
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
  • Learning
Facemask from Gaza
قناع الوجه من غزة August 2020
  • Making
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
  • Learning
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
  • Learning
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
  • Making
Crossing Boundaries lecture
محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
  • Learning
  • Sharing
Intimate terrains
إقتراب الآفاق Birzeit, 21–29 august 2019
  • Learning
  • Making
The real and the absent
جسور من الماضي Birzeit, June – September 2019
  • Learning
Young artisans market
سوق الحرفيّين الشّباب Birzeit, 2019
  • Sharing
Reworlding Ramallah
إعادة قولبة العالم : رام الله Birzeit, January – April 2019
  • Learning
Thought-provoking December gifts
هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
  • Sharing
Collective thinking
تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
  • Learning
My house is your house
البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
  • Sharing
Nieuwe Instituut
معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
  • Sharing
Amman Design Week
أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
  • Sharing
Dream versus reality
الحلم مقابل الواقع Amman, September 2017
  • Learning
  • Making
Dream Defenders
مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
  • Learning
Design Museum Cologne
متحف التصميم، كولونيا Cologne, 14 May 2017
  • Sharing
Henry Van De Velde Awards
جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
  • Sharing
Reaching beyond borders
تجاوز الحدود January, 2017
  • Learning
Welcome home
الدار دارك Ramallah, 8 – 30 October 2016
  • Sharing
Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
  • Learning
  • Making
Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
  • Learning
  • Making
Qalandiya international
قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
  • Sharing
Ramallah, Create-shop 2014
ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
  • Learning
  • Making
Eye on Palestine
العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
  • Sharing
Conflict & design
التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
  • Sharing
Bethlehem, create-shop 2013
ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
  • Learning
  • Making
Ramallah, create-shop 2012
ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
  • Learning
  • Making
Subjective atlas of Palestine
أطلس فلسطين الذاتي Ramallah, 2007
  • Making
About us
Our History
Method
Disarming Design
Organisation
Network
Finance
In the press
F.A.Q.

About us

Disarming Design from Palestine (DDfP) is an independent non-profit organisation that operates as a design label and learning platform. Our mission is to foster thought-provoking design from Palestine by developing and distributing useful products that share poetic and political statements. Often rooted in experiences from everyday life in occupied Palestine, the items serve as cultural artefacts that catalyse conversations.

Our History

DDfP was founded in 2012🔗 as a design project by artist Khaled Hourani and designer Annelys Devet in collaboration with the International Academy of Art Palestine (Ramallah) and the Sandberg Instituut (Amsterdam). Over the years, its organisational structure shifted while consistently remaining a unique platform at the intersection of design, crafts and social activism. Since 2015, the organisation has been registered as an independent Belgium-based non-profit organisation (vzw) committed to critical design, international distribution, and raising global awareness.

Since its foundation, seven annual design workshops🔗 have been organised in which local design students and young professionals collaborated with international peers and Palestinian artisans to develop new products reflecting the lived realities in Palestine. Between 2015 and 2019, DDfP maintained a community centre🔗, initially in Ramallah and later in Birzeit, offering a wide range of design-related events run by the local community. These experiences informed the founding of the temporary master’s programme ‘Disarming Design’🔗 at the Sandberg Instituut Amsterdam from 2020 to 2022.

Method

We consider the role of design in advancing international solidarity and raising awareness for justice in the Palestinian struggle for liberation and self-determination. We strongly emphasise consciously made artisanal products that bear witness to the charged reality in which they are made.

Most of our designs are developed through annual workshops in Palestine that we organised from 2012 to 2019🔗. Local designers and international peers collaborated with artisans to create products that shed light on human narratives from Palestine, challenging social and political preconceptions.

Subsequently, the designs went into production and became part of our collection. We also incorporated existing products, such as the Nabulsi soap🔗 and the Keffiyeh🔗 , or new products, such as the Qastina Aprons🔗 or the Heirloom seeds🔗 .

With our work, we encourage connections with craftspeople, offering them opportunities for work, agency, fair compensation, and networks, thus contributing to preserving traditional craftsmanship. This is one of the ways we work to combat the marginalisation that artisans and designers face, irrespective of their level of activity, as a consequence of the Israeli occupation of Palestine.

 

In essence, our approach revolves around learning, making, and sharing. The yearly workshops serve as a platform for mutual learning, drawing insights from our peers and the environments we engage with. These collaborations yield prototypes for products made by artisans and self-producing designers. Subsequently, the items are taken into production and find their way to our studio in Belgium. Here, we go beyond simply presenting the objects; we share their stories through various channels such as pop-up shops, online stores, and multiple media. This engagement sparks conversations, encourages participation in protests, and inspires the organisation of new events. These interactions, in turn, fuel discussions and reflections, contributing valuable insights that shape the development of new design workshops.

Disarming Design

For us, a ‘disarming’🔗 manner is an anti-hierarchical approach, defying dominant and oppressive power structures. ‘Disarming’ positions design as a cultural tool to oppose authority and create knowledge with affection, desire and imagination. Our platform puts forward designs with a presence and narrative that open our gaze and stimulate critical thinking. The products seek to uncover meaningful connections and patterns that help us better understand our histories and imagine just futures. It is a way to trigger reflective moments and start conversations about the realities the designs embody.

In the context of Palestine, ‘Disarming design’ is an approach to design that upholds Palestinian narratives in the face of the systematic oppression caused by the Israeli occupation.

Organisation

We run the organisation from Belgium with a small, committed team, collaborating with a broad network of friends and supporters from Palestine and beyond. The designs are regularly produced by various Palestinian craftspeople and designers and shipped to Belgium, where we handle the packaging, distribution and sales. Our studio is based in Sint Pieters Leeuw, near Brussels.

Dr. Annelys Devet, designer & facilitator 
Annelys is a designer and researcher who initiated the project in 2012. Since then, she has been co-developing it with a wide range of partners, organising and facilitating create-shops, connecting designers, visiting craftspeople, and taking care of logistics.
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Ibrahim Muhtadi, product development & sales
Ibrahim is an architect and designer from Gaza and is currently based in Belgium. He is committed to preserving and promoting Palestinian cultural heritage, which includes his work for Disarming Design, where he engages with product development, promotion and sales.
.
Lisa Matthys, administration & support
Lisa is a Brussels-based visual artist and documentary maker with a strong social commitment. For Disarming Design, she supports the logistics and administration.
.
Sulaiman Saleh, activator
Sulaiman is a researcher who focuses on international and intercultural communication. He was a lecturer at Jonkoping University (Sweden), teaching students in Media and Communication and Global studies. Born in Gaza, he studied in Malaysia, worked in Sweden, and is based in Belgium. He is an active member of Cinema Maximiliaan and facilitates workshops for Disarming Design.
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Interns and volunteers, assistance & support
Every year, we work with interns working part-time at our studio; this includes people with artistic, managerial, or political backgrounds. Apply for internship
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.Aya Abu-Ghazaleh, coordinator Jordan 
Aya is a visual artist based in Amman. She joined the 2017 workshop and has since coordinated the production and logistics with the artisans in Gaza Camp Jerash (JO).
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Board
The board of the Belgian non-profit association currently consists of Annelys Devet, Hildegard Devuyst, Kurt Vanbelleghem and Yazan Iwidat.

Network

This project was initiated in 2011 in collaboration with Khaled Hourani and the International Academy of Arts Ramallah. Sami Khaldi and Mohammad Saleh transformed the project into a local independent organisation in 2015. From 2015 to 2020, Ghadeer Dajani managed the production and designs, developing prototypes into high-quality designs with a growing knowledge and network of the best artisans in Palestine; her work has been immeasurable.  Raed Hamouri ran the organisation in Birzeit from 2018 to 2020 and developed a lively program in our community centre, Hosh Jalsa. The organisation and network have genuinely been fostered through their collective committed work.

This would not have been possible without the inspiring, constructive and generous input of friends, interns and assistants like Abed Al Kittana, Hazem Alqaddi, Alia Alrosan, Qusai Alsaify, Tommaso Anceschi, Jessica Azizeh, Derk Byvanck, Dr Jean Calder, Callum Copley, Moniek Driesse, Suzanne Groothuis, Samah Hijawi, Wisam Hourani, Michael Jabareen, Omar Kashmiry, Lara Khaldi, Yazan Khalili, Francisca Khamis, Juliette Lizotte, Natalia Lopez Lopez, Rudy Luijters, Lucia Mansueto, Inês Marques, Julia Mrad, Manar Nakleh, Kathrine Nicolaisen, Teresa Palmieri, Ingrid Rollema, Majdal Sobeh, Joud Toamah, Petra Van Brabandt, Mirelle van Tulder, Mieke Zagt, Isabel Zoetbrood and many more who joined in making other futures possible.

 

We value collaboration and co-creation of knowledge and often join forces with people, collectives and initiatives with whom we share common creative and political grounds. We believe in building other ways of exchanging for substantial social change rather than reproducing behaviours and patterns that come from and contribute to oppression.

Acknowledgements to: the Palestinian Museum; Birzeit University; Ramallah Municipality; Al Ma’mal Foundation for Contemporary Art , Jerusalem; Eltiqa Group, Gaza; Open Studio, Khan Younis; BFTA; Dar Laila Publishing; Darat Al Funun, Amman; Amman Design Week; VCUarts, Qatar; The Mosaic Rooms, London; MacGuffin Magazine; The Prince Claus Awards; Onomatopee; Framer Framed, Amsterdam; Droog bv; Sandberg Instituut, Amsterdam; Design Museum, Ghent; Sint Lucas School of Arts, Antwerp; WIELS, Brussels — amongst others.

Financial ecosystem

We are a Belgium-based non-profit organisation (vzw) with a small volunteer team. With free storage, a studio and flexible partners, we keep the operational costs to a bare minimum. We are self-sustainable through the sales of products and occasional donations. 

To produce the items, we work without intermediaries, purchasing them directly from artisans and designers in Palestine while ensuring fair prices and direct payments. The designs are shipped to our studio near Brussels, where we label, package and distribute them. We sell them via our online shop, events and museum shops (that operate with little or no profit margins). All proceeds are invested in new production and design development.

As an organisation, we wholeheartedly support the BDS movement and follow its guidelines. In addition, we are an official member of the Belgian Fair Trade Federation and underline the principles of the World Fair Trade Organisation.

Our design workshops and events are funded by the hosting institutes or supported by (cultural) subsidies. In the initial years (2012–2019), the development of our project was made possible through financial support from ICCO (now Cordaid), Creative Industries Fund Netherlands, UNESCO Ramallah, Kunstendecreet Vlaanderen, the Netherlands Representative office, and GiZ.

In the press

◼︎ Disarming Design wil met alledaagse producten de Palestijnse economie en cultuur versterken🔗, DESIGN DIGGER, Jeroen Junte, October 2023
◼︎  Checkpoint bags, Gaza goggles: Designs that narrate the Palestinian struggle🔗, MIDDLE EAST EYE, Vittoria Volgare Detaille, 6 January 2023
◼︎ Disarming Design from Palestine: An interview with Annelys Devet🔗, ART LIBRARIES JOURNAL, Cambridge University Press, Michael A Wirtz, 21 June 2022
◼︎ Pandemic objects: Keffiyeh mask🔗, V&A Blog, Mariam Rossen-Owen, 16 June 2021 
◼︎ Disarming Design, From the Interstices of Space, Conflict and Society: Creative Practices in Palestine🔗 Mediating the Spatiality of Conflicts (p. 191-196), Corine van Emmerik, 9 November 2019
◼︎ Alumni van Sint Lucas Antwerpen vertrokken naar Palestina voor een summerschool rond productontwikkeling🔗, HET LAATSTE NIEUWS, CVDP, 29 August 2019
◼︎ Summer School of Design in Palestine🔗, PALESTINE MONITOR, Patty Diphusa, 27 August 2019 
◼︎ Disarming Design from Palestine is first design school for the West Bank🔗 DEZEEN, Augusta Pownall, 12 July 2019
◼︎ Design in Palestine: an interview with the Disarming Design collective🔗, DOMUS, Giulia Zappa, 14 June 2019
◼︎ Disarming Design from Palestine🔗, MENA CATALYSTS, Leila, 31 January 2019 
◼︎ Disarming Design from Palestine🔗, ASSOCIATION BELGO-PALESTINIENNE, Catherine fache, 29 January 2019
◼︎ التلفزيون العربي
1 April 2019 تصاميم من فلسطين ▸
◼︎ Disarming Design: Alles is verbonden met politiek🔗, MO MONDIAAL NIEUWS, Alice Devenyns, 27 February 2018 
◼︎ Grant Gibson reviews the Checkpoint Bag by Disarming Design From Palestine🔗, ONOFFICE, Grant Gibson, 8 December 2017
◼︎ Disarming Design from Palestine ▸, AMMAN DESIGN WEEK, December 2017
◼︎ Reaching beyond borders🔗, WORKS THAT WORK, Kurt van Belleghem, December 2017
◼︎ Gentle power / Radical imagination, Annelys de Vet beckons🔗, DAMN MAGAZINE, Veerle Devos, June 2017
◼︎ HVDV 2016 – Disarming Design from Palestine  ▸, HENRY VAN DE VELDE AWARDS, Design Flanders, January 2017
◼︎ تصاميم من فلسطين,
12 October 2016, Dooz Nablus ▸
◼︎ Disarming design: Kerstballen uit Bethlehem🔗, BRUZZ, Nicky Aerts, 3 December 2014
◼︎ Qalandiya International – ‘Disarming Design’ show by Palestinian collective offers objects with ‘alternative narrative’🔗, KELISE, 28 October 2014
◼︎ Palestinian-Dutch “Disarming Design” project inspired by artwork in captivity🔗, ELECTRONIC INTIFADA, Adri Nieuwhof, 12 October 2012

Frequently Asked Questions

Where can I buy your designs?
On this website, you will find the entire collection of products that are in stock. In the Find Us section on our website, you can find a list of places with a selection of our products in their shops.
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Where does the money go?
The money goes to craftspeople and designers and development and operation costs. Craftspeople and designers are (directly) paid for their labour and resources invested in producing the designs. Operation costs include shipping items from Palestine to our warehouse, packaging, promotion, and remuneration for our core team.
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How do you get the products in Belgium?
Because of the occupation, shipping from Palestine is often tedious. Shipment is arranged on a case-to-case basis, often with the craftspeople contacting a shipping company that carries out the transport operation (mainly Ocean Logistics). This needs to consider customs hindrances, payment delays, and returned or lost packages.
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How can I support the project?
Keep learning and talking about Palestine, joining solidarity groups, spreading the word about DDfP, purchasing our designs, amplifying the narratives, keeping up with our events, tagging us on social media, or supporting us by donating.
.
How can I join the workshops?
Currently, no workshops are planned in Palestine, but follow us on social media and subscribe to our newsletter for immediate updates.
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Who do you ship with?
If you order products via our website, we ship them with BPost. They are usually reliable, but we have had unfortunate delays and returns. You must upload your shipping details correctly while ordering your product, and if you have any questions or comments, do write to us.
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For more questions:
..

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    Thought-provoking designs
    تصاميم لتحفيذ الفكر

    Heirloom seeds
    بذور بلديّة

    Seeds from the Palestine Heirloom seed library

    Available seeds at Disarming Design from Palestine:
    — Abu Samara (wheat)
    — Bamyeh / Okra (ladies’ fingers)
    — Molokhia (Jute Mallow)
    — Sabanikh (spinach)
    — Yakteen (gourd)
    — Zinnia Sabella (flower, edible petals)
    —
    Bitinjan (Eggplant)
    —
    Kusa

    On top of the political violence, Palestinian farmers also face the dangers of agribusiness with its corporate seed production and land dominance. But many of these farmers are the heroes who have been safeguarding the precious seeds, and the knowledge that these carry. Palestinian Heirloom seed varieties are under threat; many have gone extinct. These seeds have been passed down to us over the centuries, and carry in their genes the stories and the spirits of Palestinian indigenous ancestors. Aside from their cultural significance, these seeds carry options for our future survival as we face climate change and the erosion of agro-biodiversity worldwide. As such, it is urgent that we save heirloom seeds, and propagate them.

    Founded by Vivien Sansour, the Palestinian Heirloom Seed Library project seeks to preserve and promote heritage and threatened seed varieties, traditional Palestinian farming practices, and the cultural stories and identities associated with them. Based in the Village of Battir, a UNESCO World Heritage Site outside Bethlehem, the library also serves as space for collaborations with artists, poets, writers, journalists, and other members to showcase and promote their talents and work. Working closely with farmers, the Library has identified key seed varieties and crops threatened with extinction, and provides opportunities to inspire local farmers and community members to actively preserve their bio-culture and recuperate their local landscape.

    The library has also launched a global platform for conversations about bio-cultural heritage. Its Traveling Kitchen is a mobile venue for social engagement in different communities, promoting cultural preservation through food choices.

    Established 2014, Bethlehem, Palestine

    Learn more about the Palestinian Heirloom Seed Library and the work of Vivien Sansour on this website.

    For more on Abu Samara, listen to this song dedicated to the wheat by Zaid Hilal: Abu Samra أبو سمرة حبة القمح .

     

    Design
    • Vivien Sansour (PS)

      Vivien Sansour (Palestine) is a believer in the magic of the simple things in life. This magic represented in her work where seeds and soil are brought to life through her practice as a conservationist and writer. Vivien feels at home in the fields where farmers plant their seeds and share their stories. In her practice, Vivien combines the work of conservation with the sensory world of image and sound. She works with farmers around the world to find and reintroduce threatened crop varieties, and collects stories to assert the ownership of seeds by communities and not companies.

      Vivien was born in Palestine and grew up in Bethlehem. She does not live in one particular place as her work takes her to different communities around the world – from Palestine, California, Central America and the Caribbean. She is the founder of The Palestine Heirloom Seed Library and the Traveling Kitchen project, both initiatives aim to bring seed heritage back to the dinner table so we can, “eat our history rather than store it away as a relic of the past”.

    • Daleen Saah (PS)
    Production
    • 100% Palestinian heritage seeds

      harvest 2020, packed in 2021

      10 x 15cm (size of package, including seeding information inside)

    €7,50

    Clear
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    About Contact
    facebook
    The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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