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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
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Stories
حكايات
im/mobility
لا حركة DDfP Gallery, Brussels
  • Sharing
Calender
التقويم Various locations, 2026
  • Sharing
Open Call legal boardmember
دعوة مفتوحة
    Introducing new board members
    Brussels, 2026
    • Sharing
    The absence of the meaning of home
    غياب معنى البيت DDFP Gallery, Spring 2026
    • Sharing
    The meaning of home
    معنى البيت On-line, 2025–2026
    • Learning
    Finding our place
    إيجاد مكاننا A year in retrospect, 2025
    • Sharing
    Movement in Practice
    الحركة في الممارسة Brussels, Winter 2026
    • Sharing
    Things that don't sell
    الأشياء التي لا تُباع Antwerp, december 2024
    • Sharing
    The only lexicon left
    المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
    • Learning
    On artist-run solidarity platforms
    على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
    • Learning
    Leaving 2023 in grief
    مغادرة عام 2023 في الحزن A year in retrospect, 2023
    • Sharing
    Ways to translate solidarity to action
    طرق ترجمة التضامن إلى عمل 20 October 2023
    • Learning
    Infrastructures for solidarity through design
    مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
    • Learning
    Disarming Design ?
    تصاميم مجرّدة Forum+, February 2023
    • Sharing
    Qastina is to root myself again
    قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
    • Making
    2022, a year to solidify
    عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
    • Sharing
    From Checkpoint bag to Blacksac
    من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
    • Making
    2021, a year in retrospect
    ٢٠٢١ سنة مفصليّة January 2022
    • Sharing
    Call for solidarity
    نداء للتضامن Until liberation
    • Sharing
    Masters programme Disarming design
    ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
    • Learning
    Design for Disarming times
    التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
    • Sharing
    Life of the Palestinian rug
    ورشة البساط الفلسطيني Birzeit, September - October 2020
    • Learning
    Facemask from Gaza
    قناع الوجه من غزة August 2020
    • Making
    25 Results for "Hebron"

    2022, A year of soldifying

    2022 was a year in which our organisation solidified, after the challenges of the past years. Our...

    Bird plate

    One-third of the food produced for human consumption is thrown away, and designer Maher Shaheen r...

     Black Keffiyeh

    Black on black keffiyeh

    Peasant farmers first wore traditional Palestinian scarves to protect them from the...

    Christmas baubles from Bethlehem

    Around the world, Christmas is celebrated in commemoration of the ...

    Classic keffiyeh

    They are back in stock!

    Peasant farmers first...

    Closing 2025

    In 2025, we strengthened our ability to support artisan partners across Palestine and to meet the...

     Coloured Keffiyeh

    Coloured keffiyeh

    Peasant farmers first wore traditional Palestinian scarves to protect them from the...

    Createshop Ramallah, 2014

    In the autumn of 2014 the third create shop was held with Palestinian artists and designers, and ...

    From Checkpoint bag to Black sac

    The Checkpoint bag that was developed during the 2015 create-shop in Jerusalem has grown from bei...

    IAAP, 2012

    The project ‘Disarming design’ aims to develop a collection of useful objects that reflect upon t...

    IAAP, 2013

    During this create shop several artists and designers have collaborated with workshops, artisans ...

    Intimate terrains

    Disarming Design from Palestine and the Palestinian Museum, organised a summer school for Palesti...

    Jerusalem spell

    This product is currently out of stock. Jerusalem can eas...

    Life of the Palestinian rug

    Poetic nights

    Just back in stock!

    ‘Poetic Nights’ combines ...

    Qastina apron

    During his visits abroad, artist and designer Ayed Arafah would regularly phone his mother and as...

    Solidarity

    State of Palestine

    Government documents serve the explicit correlation of identity and affiliation. Pa...

    Tears

    These tender hand-blown glass tears are rooted in a centuries-old tradition of glass production i...

    The darkest 2023

    2023 leaves us in grief for the massive loss of life we witnessed in Gaza. The year is marked by ...

    theblacksac

    After a long wait, they are bac...

    Unveiled souls

    Behind the folds of this handmade bag, beauty unveils itself. Underneath the corner...

    Watchtowers and water tanks game

    This product is currently out of stock, inform us if ...

    White on black keffiyeh

    Peasant farmers first wore traditional Palestinian scarves to protect them from the sun and dust....

    White on white keffiyeh

    Peasant farmers first wore traditional Palestinian scarves to protect them from the...

    About Contact
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    How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
    About Contact
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    The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
    About Contact
    facebook
    The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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