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Open Call
دعوة مفتوحة Antwerp, december 2024
The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
Call for solidarity
نداء للتضامن Until liberation
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
Facemask from Gaza
قناع الوجه من غزة August 2020
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
Crossing Boundaries lecture
محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
Intimate terrains
إقتراب الآفاق Birzeit, 21–29 august 2019
The real and the absent
جسور من الماضي Birzeit, June – September 2019
Young artisans market
سوق الحرفيّين الشّباب Birzeit, 2019
Reworlding Ramallah
إعادة قولبة العالم : رام الله Birzeit, January – April 2019
Thought-provoking December gifts
هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
Collective thinking
تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
My house is your house
البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
Nieuwe Instituut
معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
Amman Design Week
أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
Dream versus reality
الحلم مقابل الواقع Amman, September 2017
Dream Defenders
مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
Design Museum Cologne
متحف التصميم، كولونيا Cologne, 14 May 2017
Henry Van De Velde Awards
جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
Reaching beyond borders
تجاوز الحدود January, 2017
Welcome home
الدار دارك Ramallah, 8 – 30 October 2016
Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
Qalandiya international
قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
Ramallah, Create-shop 2014
ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
Eye on Palestine
العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
Conflict & design
التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
Bethlehem, create-shop 2013
ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
Ramallah, create-shop 2012
ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
Subjective atlas of Palestine
أطلس فلسطين الذاتي Ramallah, 2007
State of Palestine
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State of Palestine
دولة فلسطين

Ceramic refrigerator magnet

Government documents serve the explicit correlation of identity and affiliation. Palestinian artist Khaled Jarrar uses these attributes as samples for alternative models of identity and anticipates the existence of a state of Palestine, which until now is a mere utopian idea. The artist decided to declare the existence of a non-existent state and created a stamp with which he marks the passports of travellers and pedestrians.

The stamp depicts the Palestine sunbird and a jasmine flower. It tells the story of a state-to-be, instead of looping discussions about a one-state or a two-state ‘solution’.

Jarrar made these refrigerator magnets with the State of Palestine stamp design from his ongoing project especially for Disarming design from Palestine. They are produced in Khaled Fakhouri’s pottery factory in Al-Khalil–Hebron.

 

 

Design
  • Khaled Jarrar (PS)

    With photographs, videos, installations, films, and performative interventions focused on his native Palestine, multidisciplinary artist Khaled Jarrar explores the sociocultural impact of modern-day power struggles on ordinary citizens. The everyday subjects of Jarrar’s reflective work are contextualised in ways that draw attention to the severity of the issues he examines, giving the political content of his art greater significance while underscoring the autobiographical nature of his chosen themes. Born in Jenin in 1976, Khaled Jarrar lives and works in Ramallah, Palestine. Jarrar completed his education in Interior Design at the Palestine Polytechnic University in 1996 and later graduated from the International Academy of Art Palestine with a Bachelor in Visual Arts degree in 2011. The following year, his documentary The Infiltrators (2012) won several accolades at the 9th Annual Dubai International Film Festival, and confirmed his importance in global cinema.

    http://www.ayyamgallery.com/artists/khaled-jarrar

Production
  • Khaled Fakhoury (PS)

    Fakhoury Pottery and Karakashian Pottery in Hebron and Jerusalem respectively supply our beautiful handpainted Palestinian ceramics. The Fakhoury’s come from a long line of potters and, in fact, the name Fakhoury even means “potter” in Arabic. Their shop is located in the old city of Hebron where Israeli soldiers and settlers routinely physically and verbally harass Palestinians. Despite the difficulties, the family is determined to keep their store open and their craft alive. The Karakashian studio in Jerusalem continues the family tradition that began in 1922 when Megerditch Karakashian came to Jerusalem to help renovate the Dome of the Rock. All the motifs are traditional designs – birds, peacocks, gazelles, fish and various floral patterns. Each piece is hand painted with a hand made brush.

    https://www.facebook.com/khaled.fakhouri.58?fref=ts

    https://www.shoppalestine.org/

    http://pottery-makingindustry.blogspot.com/

  • hand-painted ceramics

    Ø 7 cm

10,00

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