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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    تصميماتنا
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,50
  • Bird plate

    Bird plate

    صحن الطّيور
    €32,50
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €24,50
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,50
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €25,00
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,50 – €79,50
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €17,00 – €19,00
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية سوداء
    €29,50
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €10,00
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €29,50
  • Tears

    Tears

    دموع
    €7,50
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €59,50
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €37,50
  • Basta

    Basta

    بسطة
    €39,50
  • Poetic nights

    Poetic nights

    ليالٍ شعريّة
    €20,00
  • Black Keffiyeh

    Black on black keffiyeh

    أسود على كوفية سوداء
    €29,50
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €59,50
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €7,50 – €9,50
  • Yellow cab toy

    Yellow cab toy

    لعبة السيرفيس الأصفر
    €35,00
  • theblacksac

    theblacksac

    الحقيبة السوداء
    €199,00
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €47,50
  • Coloured Keffiyeh

    Coloured keffiyeh

    الكوفية الملوّنة
    €29,50
  • Unveiled souls

    Unveiled souls

    أرواح مكشوفة
    €19,50
  • Maisa

    Maisa

    ميساء
    €35,00
  • Lullaby

    Lullaby

    تهويدة
    €60,00
  • Nabulsi soap

    Nabulsi soap

    صابون نابلسي
    €6,50
  • Everywhere Palestine

    Everywhere Palestine

    فلسطين في كلّ مكان
    €60,00
  • Memory belt

    Memory belt

    حزام الذاكرة
    €45,00
  • Freedom shoes

    Freedom shoes

    أحذية الحرّية
    €145,00
  • Gaza scarf

    Gaza scarf

    وشاح غزة
    €95,00
  • Heirloom seeds

    Heirloom seeds

    بذور بلديّة
    €7,50
  • Awakening Goggles

    Awakening goggles

    قناع الصحوة
    €25,00
  • Hasakah

    Hasakah

    الحسكة
    €150,00
  • ‘Everywhere’ fisherman’s box

    ‘Everywhere’ fisherman’s box

    صندوق صيّاد السمك "من كلّ مكان"
    €60,00
  • Gaza Birdhouse

    Gaza birdhouse

    بيت العصفور الغزّاوي
    €12,50
  • Cactus fruit candle

    Cactus fruit candle

    شمعة الصبّار
    €8,50
  • Face Mask

    Identity = health

    الهوية = الصحة
  • Watermelon wallet

    Watermelon wallet

    محفظة البطيخ
    €19,50
  • Barcelona or Madrid? No, Palestine!

    Barcelona or Madrid? No, Palestine!

    برشلونة او مدريد؟ لا، فلسطين!
    €0,50
  • Proudly Made in Palestine

    Proudly Made in Palestine

    صنع في فلسطين، بفخر
    €25,00
  • Watchtowers and water tanks game

    Watchtowers and water tanks game

    لعبة أبراج المراقبة وخزّانات المياه
    €245,00
  • Checkpoint brush

    Checkpoint brush

    فرشاة الحاجز
    €25,00
  • Gaza box

    Gaza box

    صندوق غزة
    €60,00
  • Vicious circles

    Vicious circles

    حلقات مفرغة
    €14,50
  • Under the olive tree

    Under the olive tree

    تحت الزّيتونة
    €25,00
  • Under construction

    Under construction

    صحن "قيد الإنشاء"
    €20,00
  • Stress ball

    Stress ball

    كرة التّوتر
    €9,95
  • Straway

    Straway

    طريق المصّاصة
    €27,50
  • Spiced landscape

    Spiced landscape

    مشهد من التوابل
    €12,50
  • Soccer keffiyeh

    Soccer keffiyeh

    كوفية كرة القدم
    €40,00
  • Old news from Palestine

    Old news from Palestine

    أخبار قديمة من فلسطين
    €35,00
  • Relax (hardly) pillow

    Relax (hardly) pillow

    وسادة الإسترخاء بصعوبة
    €17,50
  • Blanco

    Blanco

    القميص الأبيض
    €75,00
  • Made in Palestine

    Made in Palestine

    صنع في فلسطين
    €90,00
  • In-between

    In-between

    بين
    €35,00
  • Jerusalem spell

    Jerusalem spell

    سحر القدس
    €15,00
  • Hide and see travel pouch

    Hide and see travel pouch

    محفظة السّفر "إخفاء وإظهار"
    €60,00
  • Gaza hero medal

    Gaza hero medal

    ميداليّة بطل غزة
    €10,00
  • Disengaged observer outfit

    Disengaged observer outfit

    زيّ المراقب الدّولي
    €75,00
  • Daftar

    Daftar

    دفتر
    €9,95
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حكايات

Dream versus reality
الحلم مقابل الواقع

    Tags:
  • Learning
  • Making
Designers from Jordan, Palestine and the Netherlands participating in the create-shop, Amman, 5 September 2017

Disarming Design from Palestine in co-creation with Gaza camp in Jerash
Amman, September 2017
A team of Jordanian, Palestinian and Dutch designers collaborated with local craftswomen and men from the Gaza refugee camp in the Jordan city Jerash, to develop a series of thought provoking products.

On the invitation of Amman Design Week, and hosted by cultural center Darat al Funun, we put together a program where the participants worked in teams to design items and interchange with the artisans. They investigated their process, skills, and made works that could pass on the stories that were shared and could reflect on the complex reality of the camp. Alongside our existing collection of products these items will be internationally exhibited and sold, to address the situation of the refugees. We aim for a continuing relationship through more future orders. Additionally with this workshop we want to reflect upon the function of creative practices in situations of conflict because, as Amman Design Week also states in their program line, “problem-solving, enhancing communities and bringing concepts to life; design has the power to reshape the future”.

Motivation

“The only thing that gets me going is sharing stories.” This is why the Jordanian designer Nour Nsheiwat participated in this program: “in every corner of my life I have pursued a job that included some narrative methodology, I’m into listening to a story told by a product.” “At this moment my perspective on the Palestinian cause is based on western media and stories, I would like to challenge my view with real life experience,” expressed Dutch designer Tessa Meeus at the start of the program. “The questions I ask myself are: what is this state of being like? What do people embrace? What do they hate on a daily basis? What are the values of the place and how can design play a role?” Designer Sherida Kuffour, a Woman of Color from the Netherlands, is particularly interested in anti-colonial, and anti-imperialism movements and how people push back against these strongholds: “I’ve come to realize that, as the ‘colonized’, regardless of race or religion, we share somewhat similar struggles of revolution and pushback.” For Haya Bustami, who is doing the education and community outreach of the Amman Design Week, it was the human centered element of the program that made it special to her: “it creates an enriching and humbling experience to everyone involved”.

Gaza refugee camp

Gaza camp is a refugee camp near Jerash, where almost 40,000 Palestinian refugees are living. They, their parents or grandparents, fled from Gaza in 1967, when Israel invaded the Gaza strip, which was at that time under Egyptian rule. These Palestinian refugees never received Jordanian citizenship. Until today they don’t have a national number and are therefore stateless. As such, they aren’t allowed to work, don’t have access to regular healthcare, and they can’t afford to further their education outside the camp. If they would like to get a job, they need to buy a working permit of 500 JOD (± € 600), which is only valid for 6 months. So for most people this doesn’t make any sense at all. One cannot understand how these people aren’t offered any way out, no right to return, no status, no opportunities, no future. These Palestinian refugees have lived under inhumane conditions for 50 years now.

Although we were aware that we were visiting one of the poorest camps in Jordan, nobody expected that the refugees struggle this much. We were silenced, speechless, saddened, angry, but above all we felt powerless and were struggling how to relate to this uncomfortable truth. Some felt really depressed, others were fighting with feelings of guilt for not taking enough action, and at the same time we felt unease in being part of a van with international visitors, being dropped at places in the camp to visit, watch and leave. It underlined our privileged position and the bubble we live in.

Making

As soon as we were able to spend time in the women’s craft center they started to make things, different stories crossed the tables, humor entered the room, and imagination started to bloom again. We were relating on the basis of strength and creativity, on an individual and human level. We saw the beauty of these women and were particularly impressed by their persistence. This inspired all of us.

The days that followed were full of noise: ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas. With a touching diligence the artisans soon found ways to accomplish proposals for prototypes, that embodied applied translations of their narratives. Different patterns of olive-trees were made, a doormat was established and all kind of origami shapes were folded with textile.

The people of the Gaza Camp produced incredible things, but resources are limited. With Disarming Design we want to work as much as possible with local and natural materials, but the best textiles and leather used to come from Syria. Most production and export from there has stopped for obvious and horrifying reasons. And Jordan seems to be, as a salesman explained ironically, “a country of consumption, not of production”. So products from China and India dominate the market more and more. But the participating designers were persistent, did their field research and traveled from shop to shop in Amman. With some luck local wool was found, some pieces of leather from Syria, and other useful local and up-cycled materials.

Impact on society

During a tour through Amman where we learned more about the heritage and crafts, we were honored to meet the remarkable ‘Duke of Mukheibeh’, who received us in his Design Center. “It’s easy to make money” he explains to us “but what counts is the impact of what you do on society. Culture brings people together and that is what we should focus on”. The crafts and product designer May Khoury also stressed this in the guest-talk she gave: “Design has a substantial role as a key tool for community development, social engagement and ultimately sustainable economic development”. Originally from Ramallah, May has established an incredible practice in Amman and developed a collection of handmade and up cycled products. She says how in fact the heritage is her national identity and that through the heritage she can emphasize who she is. Architect Reem Marji from Darat al Funun adds: “Design is a global language; a huge platform that contains different backgrounds and cultures, while maintaining the authenticity and identity of each one”.

The designers discuss their first ideas and prototypes with May Khoury and some stories clearly move her. With others she stresses how they have the potential for an extraordinaire beauty. However, she wonders if some of the products are right, since their design emphasizes the unbearable reality and doesn’t leave space for hope and imagination. May seeks to design the final product to still show the extreme misfortune that the people in the camp experience, by framing it differently, which would allow the space for dreaming.

Re-think Palestinian identity

In the specific socio-political situation in Palestine, there is another layer to ‘sensitive’ local design and production. After what Palestinians have experienced in the last century, there is a deep need for a redefining for a new identity, as it has been and is being distorted and transformed after many shocking and drastic changes. Through workshops like this we want to invest in the visual reality of Palestine, into the daily needs and experiences. “When it comes to our collective identity, we’re becoming one-by-one part of a new and dynamic design movement, as we try to tap into the social and political moment and cultural significance of our country,” says Palestinian designer and political scientist Fida Shafi. This workshop made her work harder to redefine the meaning of Palestinian identity as inclusive and all encompassing. She says she is still fighting to express it in different forms through and beyond design.

Identity is not something that is fixed, but something that corresponds to contemporary realities. It is a work in progress and that’s where product design serves part in this rediscovery. Crafts don’t just teach us about how things are made. It’s also a social act that relates to the sense of a place, how a community is built and what its values and rituals are. They are at the heart of who we are. Heritage is not history. It is something that lives. It is something we can learn from and which we as critical designers should activate. According to Disarming Designs production manager, Ghadeer Dajani, art, design, and crafts should all be part of the resistance against the occupation, as an element within a mosaic power against foreign rule: “it has to reflect the beauty and the strength of Palestine, just like poetry and literature are doing.”

 

The designs

After two weeks of deep emotions, intense work, crossing language barriers, and unpredictable design processes in co-creation with the artisans living in unbearable conditions, a new line of ten thought provoking products was presented. They represent the narratives found in the Gaza camp. Despite the difficulties faced by limited means, techniques and resources, and despite a very tight time schedule the designers were able to create magic. Nour Nsheiwat and Rebekka Fries captured the story of Maisa, who had the highest high school scores of The Hashemite Kingdom of Jordan. This would allow Jordanian citizens to receive free scholarship for university. However Maisa has no national number and did not receive it. On the contrary, she is obliged to pay international fees and can’t afford to continue her studies. She remained in the camp and diminished her dreams. Nour and Rebekka, in response, made a multi-functional apron of the textile of Jordanian school uniforms. Fida Shafi developed an embroidered baby blanket with the text of the lullabies that were song to the babies back home and the artisans were able to recall. When fleeing from Gaza and in need to protect their children, they sang it. Those memories are now hidden behind the folds of time, as the origami bag from Mariam Shukri and Qusai Saify shows with hidden embroidery behind the corners of the fabric. A large wooden cloth pin reminded Aya Abu-Ghazaleh to what her Palestinian grandmother said, and what she heard back in the camp “we left the laundry outside”, because they thought to be back home soon, 50 years ago. Aya’s pin contains a light, so it can be used for reading after sunset. Sherida Kuffour designed a hat called ‘Under the olive tree’ with embroidered olive branches on the brim, to find protection. To a certain extent all these stories come together in the wooden maze that Rebekka Fries and Nour Nsheiwat developed, with a path on both sides, top and bottom, forming the Arabic words for ‘Dream’ and ‘Reality’. Once the metal ball strolls through the lines of ‘reality’, it suddenly falls into the ‘dream’. Turning the maze around, eventually the same thing will happen, falling back in ‘reality’.

Looking forward

It is our ambition that through these products we can contribute to a greater awareness of the situation of Palestinian refugees as well as the understanding of how design can inspire a better reality. For Tessa Meeus participating in the workshop “changed everything actually”. It made her think a lot about the way The West views Arab people in general and how in Europe “we”, including herself, have programmed prejudice into our system. Mariam Shukri always wanted to experience working with artisans from different communities and this by far was the best experience in her life. Mariam says “the amount of feelings I have towards refugees has increased a lot through the workshop”. It inspired her to design more consciously for a cause.

We hope that the creativity and persistence that has been put into the developed designs, will be reflected though the use of the products. They will travel from exhibitions in Darat al Funun Jordan in October, to the Nieuwe Instituut Rotterdam (NL) in November, The Design Museum Gent (B) in February, and further. In addition they will soon be available on Disarming Designs website, investing in more production in the camp. It is now up to the items to speak, while leaving us silenced.

Disarming Design workshop took place from 4–16 September, the accompanying exhibition from 7–15 October at ‘The Lab’, Darat al Funun.

Workshop guidance: Ghadeer Dajani (Disarming Design’s production manager), Annelys de Vet (Disarming Design’s founder), Haya Bustami (Education and Community Outreach at Amman Design Week), Reem Marji (architect, Darat al Funun team), May Khoury (designer), Sara Mahasneh (intern), Isabel Zoetbrood (intern)

Participating designers: Rand Abu al-Sha’r (JO), Architect, Asja Keeman (NL), Master Student Design Sandberg Instituut, Mohammad Ishtay (PS), Product and interior designer, Tessa Meeus (NL), Master Student Design Sandberg Instituut, Fida Shaffi (PS), Political scientist and designer, Sherida Kuffour (NL/GH), Master Student Design Sandberg Instituut, Nour Nsheiwat (JO), Designer, Rebekka Fries (NL), Sandberg Instituut Design alumni, Mariam S. Shukri (JO), Designer, Qusai al Saify (PS), Founder Origami Palestine, Aya Abu Ghazaleh (JO/PS), Artist  and designer.

Acknowledgments to Amman Design Week Co-Directors Rana Beiruti and Abeer Seikaly, Darat al Funun founder Suha Shoman and director Luma Hamdan for making the workshop and exhibition possible. A special thank you to the local crafts women and men from the Gaza camp in Jerash, especially the Amani Charity center.

English editing: Duane Madison

 

Products in our collection from this workshop

Unveiled souls
Carrying home
In-between
Lullaby
Memory belt
Maisa
Heirloom seeds
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Thought-provoking designs
تصاميم لتحفيذ الفكر

Heirloom seeds
بذور بلديّة

Seeds from the Palestine Heirloom seed library

Available seeds at Disarming Design from Palestine:
— Abu Samara (wheat)
— Bamyeh / Okra (ladies’ fingers)
— Molokhia (Jute Mallow)
— Sabanikh (spinach)
— Yakteen (gourd)
— Zinnia Sabella (flower, edible petals)
—
Bitinjan (Eggplant)
—
Kusa

On top of the political violence, Palestinian farmers also face the dangers of agribusiness with its corporate seed production and land dominance. But many of these farmers are the heroes who have been safeguarding the precious seeds, and the knowledge that these carry. Palestinian Heirloom seed varieties are under threat; many have gone extinct. These seeds have been passed down to us over the centuries, and carry in their genes the stories and the spirits of Palestinian indigenous ancestors. Aside from their cultural significance, these seeds carry options for our future survival as we face climate change and the erosion of agro-biodiversity worldwide. As such, it is urgent that we save heirloom seeds, and propagate them.

Founded by Vivien Sansour, the Palestinian Heirloom Seed Library project seeks to preserve and promote heritage and threatened seed varieties, traditional Palestinian farming practices, and the cultural stories and identities associated with them. Based in the Village of Battir, a UNESCO World Heritage Site outside Bethlehem, the library also serves as space for collaborations with artists, poets, writers, journalists, and other members to showcase and promote their talents and work. Working closely with farmers, the Library has identified key seed varieties and crops threatened with extinction, and provides opportunities to inspire local farmers and community members to actively preserve their bio-culture and recuperate their local landscape.

The library has also launched a global platform for conversations about bio-cultural heritage. Its Traveling Kitchen is a mobile venue for social engagement in different communities, promoting cultural preservation through food choices.

Established 2014, Bethlehem, Palestine

Learn more about the Palestinian Heirloom Seed Library and the work of Vivien Sansour on this website.

For more on Abu Samara, listen to this song dedicated to the wheat by Zaid Hilal: Abu Samra أبو سمرة حبة القمح .

 

Design
  • Vivien Sansour (PS)

    Vivien Sansour (Palestine) is a believer in the magic of the simple things in life. This magic represented in her work where seeds and soil are brought to life through her practice as a conservationist and writer. Vivien feels at home in the fields where farmers plant their seeds and share their stories. In her practice, Vivien combines the work of conservation with the sensory world of image and sound. She works with farmers around the world to find and reintroduce threatened crop varieties, and collects stories to assert the ownership of seeds by communities and not companies.

    Vivien was born in Palestine and grew up in Bethlehem. She does not live in one particular place as her work takes her to different communities around the world – from Palestine, California, Central America and the Caribbean. She is the founder of The Palestine Heirloom Seed Library and the Traveling Kitchen project, both initiatives aim to bring seed heritage back to the dinner table so we can, “eat our history rather than store it away as a relic of the past”.

  • Daleen Saah (PS)
Production
  • 100% Palestinian heritage seeds

    harvest 2020, packed in 2021

    10 x 15cm (size of package, including seeding information inside)

€7,50

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How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
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The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
About Contact
facebook
The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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