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Disarming Design from Palestine
تصاميم مجرّدة من فلسطين
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    تصميماتنا
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    Thought-provoking designs
    تصاميم لتحفيز الفكر
  • Christmas baubles from Bethlehem

    Christmas baubles from Bethlehem

    كرات عيد الميلاد من بيت لحم
    €9,95 – €12,95Price range: €9,95 through €12,95
  • Tears

    Tears

    دموع
    €8,95
  • Silver Solidarity

    Silver Solidarity

    التضامن الفضي
    €225,00
  • Leaf Behind Earring

    Leaf behind earrings

    أقراط الأذن "أترُك خلفَك"
    €64,95
  • Anti Colonializm

    Anti Colonializm

    انتي كولونيالية
    €19,95
  • Bird plate

    Bird plate

    صحن الطّيور
    €34,95
  • Distance to Gaza

    Distance to Gaza

    المسافة إلى غزة
    €29,95
  • Keffiyeh bandage

    Keffiyeh bandage

    ضمّادة الكوفيّة
    €7,95
  • Watermelon flag

    Watermelon flag

    علم البطّيخ
    €19,95 – €79,95Price range: €19,95 through €79,95
  • Leaf Behind Ring

    Leaf behind ring

    خاتم "أترُك خَلفك"
    €64,95
  • ‘I am an Arab’ t-shirt

    ‘I am an Arab’ t-shirt

    قميص "سجِّل أنا عربي"
    €20,00 – €25,00Price range: €20,00 through €25,00
  • Subjective atlas of Palestine

    Subjective atlas of Palestine

    أطلس فلسطين الذاتي
    €24,50
  • Classic keffiyeh

    Classic keffiyeh

    أسود على كوفية سوداء
    €34,95
  • Reworlding Ramallah

    Reworlding Ramallah

    إعادة قولبة العالم : رام الله
    €12,50
  • Gaza earrings 'Love for life'

    Gaza earrings ‘Love for life’

    أقراط غزة "نُحِبُّ الحياة"
    €165,00
  • State of Palestine

    State of Palestine

    دولة فلسطين
    €11,95
  • Qastina apron

    Qastina apron

    مريلة قسطينة
    €39,95
  • White on white keffiyeh

    White on white keffiyeh

    أبيض على كوفيّة بيضاء
    €34,95
  • Beyond First Impressions

    Beyond first impressions

    ما بعد الإنطباع الأوّل
    €29,95
  • Palestime

    Palestime

    فلستايم
    €159,00
  • Basta

    Basta

    بسطة
    €39,50
  • Measuring inequality

    Measuring inequality

    قياس عدم المساواة
    €49,95
  • Poetic nights

    Poetic nights

    ليالٍ شعريّة
    €24,95
  • Black Keffiyeh

    Black on black keffiyeh

    أسود على كوفية سوداء
    €34,95
  • Yellow cab toy

    Yellow cab toy

    لعبة السيرفيس الأصفر
    €35,00
  • theblacksac

    theblacksac

    الحقيبة السوداء
    €199,00
  • Coloured Keffiyeh

    Coloured keffiyeh

    الكوفية الملوّنة
    €34,95
  • Unveiled souls

    Unveiled souls

    أرواح مكشوفة
    €24,95
  • Maisa

    Maisa

    ميساء
    €39,95
  • Lullaby

    Lullaby

    تهويدة
    €60,00
  • Nabulsi soap

    Nabulsi soap

    صابون نابلسي
    €7,95
  • Everywhere Palestine

    Everywhere Palestine

    فلسطين في كلّ مكان
    €60,00
  • Memory belt

    Memory belt

    حزام الذاكرة
    €49,95
  • Freedom shoes

    Freedom shoes

    أحذية الحرّية
    €145,00
  • Gaza scarf

    Gaza scarf

    وشاح غزة
    €95,00
  • Heirloom seeds

    Heirloom seeds

    بذور بلديّة
    €7,50
  • Awakening Goggles

    Awakening goggles

    قناع الصحوة
    €29,95
  • Hasakah

    Hasakah

    الحسكة
    €150,00
  • ‘Everywhere’ fisherman’s box

    ‘Everywhere’ fisherman’s box

    صندوق صيّاد السمك "من كلّ مكان"
    €60,00
  • Gaza Birdhouse

    Gaza birdhouse

    بيت العصفور الغزّاوي
    €12,50
  • Cactus fruit candle

    Cactus fruit candle

    شمعة الصبّار
    €8,50
  • Face Mask

    Identity = health

    الهوية = الصحة
  • Watermelon wallet

    Watermelon wallet

    محفظة البطيخ
    €24,95
  • Barcelona or Madrid? No, Palestine!

    Barcelona or Madrid? No, Palestine!

    برشلونة او مدريد؟ لا، فلسطين!
    €0,50
  • Proudly Made in Palestine

    Proudly Made in Palestine

    صنع في فلسطين، بفخر
    €25,00
  • Watchtowers and water tanks game

    Watchtowers and water tanks game

    لعبة أبراج المراقبة وخزّانات المياه
    €245,00
  • Checkpoint brush

    Checkpoint brush

    فرشاة الحاجز
    €25,00
  • Gaza box

    Gaza box

    صندوق غزة
    €60,00
  • Vicious circles

    Vicious circles

    حلقات مفرغة
    €14,95
  • Under the olive tree

    Under the olive tree

    تحت الزّيتونة
    €25,00
  • Under construction

    Under construction

    صحن "قيد الإنشاء"
    €20,00
  • Stress ball

    Stress ball

    كرة التّوتر
    €9,95
  • Straway

    Straway

    طريق المصّاصة
    €27,95
  • Spiced landscape

    Spiced landscape

    مشهد من التوابل
    €12,50
  • Soccer keffiyeh

    Soccer keffiyeh

    كوفية كرة القدم
    €40,00
  • Old news from Palestine

    Old news from Palestine

    أخبار قديمة من فلسطين
    €35,00
  • Relax (hardly) pillow

    Relax (hardly) pillow

    وسادة الإسترخاء بصعوبة
    €17,95
  • Blanco

    Blanco

    القميص الأبيض
    €75,00
  • Made in Palestine

    Made in Palestine

    صنع في فلسطين
    €90,00
  • In-between

    In-between

    بين
    €35,00
  • Jerusalem spell

    Jerusalem spell

    سحر القدس
    €15,00
  • Hide and see travel pouch

    Hide and see travel pouch

    محفظة السّفر "إخفاء وإظهار"
    €60,00
  • Gaza hero medal

    Gaza hero medal

    ميداليّة بطل غزة
    €10,00
  • Disengaged observer outfit

    Disengaged observer outfit

    زيّ المراقب الدّولي
    €75,00
  • Daftar

    Daftar

    دفتر
    €9,95
Stories
حكايات
Open Call
دعوة مفتوحة
    Finding our place
    إيجاد مكاننا A year in retrospect, 2025
    • Sharing
    Movement in Practice
    الحركة في الممارسة Brussels, Winter 2026
    • Sharing
    Things that don't sell
    الأشياء التي لا تُباع Antwerp, december 2024
    • Sharing
    The only lexicon left
    المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
    • Learning
    On artist-run solidarity platforms
    على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
    • Learning
    Leaving 2023 in grief
    مغادرة عام 2023 في الحزن A year in retrospect, 2023
    • Sharing
    Ways to translate solidarity to action
    طرق ترجمة التضامن إلى عمل 20 October 2023
    • Learning
    Infrastructures for solidarity through design
    مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
    • Learning
    Disarming Design ?
    تصاميم مجرّدة Forum+, February 2023
    • Sharing
    Qastina is to root myself again
    قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
    • Making
    2022, a year to solidify
    عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
    • Sharing
    From Checkpoint bag to Blacksac
    من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
    • Making
    2021, a year in retrospect
    ٢٠٢١ سنة مفصليّة January 2022
    • Sharing
    Call for solidarity
    نداء للتضامن Until liberation
    • Sharing
    Masters programme Disarming design
    ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
    • Learning
    Design for Disarming times
    التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
    • Sharing
    Life of the Palestinian rug
    ورشة البساط الفلسطيني Birzeit, September - October 2020
    • Learning
    Facemask from Gaza
    قناع الوجه من غزة August 2020
    • Making
    Hosh Jalsa
    حوش جلسة Birzeit, 2018 – 2020
    • Learning
    Marketing workshop
    ورشة التسويق Birzeit, January – February 2020
    • Learning
    Bags Prince Claus Awards
    حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
    • Making
    Crossing Boundaries lecture
    محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
    • Learning
    • Sharing
    Intimate terrains
    إقتراب الآفاق Birzeit, 21–29 august 2019
    • Learning
    • Making
    The real and the absent
    جسور من الماضي Birzeit, June – September 2019
    • Learning
    Young artisans market
    سوق الحرفيّين الشّباب Birzeit, 2019
    • Sharing
    Reworlding Ramallah
    إعادة قولبة العالم : رام الله Birzeit, January – April 2019
    • Learning
    Thought-provoking December gifts
    هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
    • Sharing
    Collective thinking
    تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
    • Learning
    My house is your house
    البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
    • Sharing
    Nieuwe Instituut
    معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
    • Sharing
    Amman Design Week
    أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
    • Sharing
    Dream versus reality
    الحلم مقابل الواقع Amman, September 2017
    • Learning
    • Making
    Dream Defenders
    مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
    • Learning
    Design Museum Cologne
    متحف التصميم، كولونيا Cologne, 14 May 2017
    • Sharing
    Henry Van De Velde Awards
    جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
    • Sharing
    Reaching beyond borders
    تجاوز الحدود January, 2017
    • Learning
    Welcome home
    الدار دارك Ramallah, 8 – 30 October 2016
    • Sharing
    Hosh Qandah, create-shop 2016
    حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
    • Learning
    • Making
    Gaza & Jerusalem, create-shop 2015
    ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
    • Learning
    • Making
    Qalandiya international
    قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
    • Sharing
    Ramallah, Create-shop 2014
    ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
    • Learning
    • Making
    Eye on Palestine
    العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
    • Sharing
    Conflict & design
    التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
    • Sharing
    Bethlehem, create-shop 2013
    ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
    • Learning
    • Making
    Ramallah, create-shop 2012
    ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
    • Learning
    • Making
    Subjective atlas of Palestine
    أطلس فلسطين الذاتي Ramallah, 2007
    • Making
    Stories
    حكايات

    Nieuwe Instituut
    معرض نيوي انستتوت

      Tags:
    • Sharing
    Installation at Nieuwe Instituut, Rotterdam, November 2017

    DDFP in co-creation with Gaza Camp in Jerash, presented in Rotterdam
    Het Nieuwe Instituut, Rotterdam, november 2017
    The Dutch center for contemporary culture 'Het Nieuwe Instituut' invited DDFP for their bi-weekly pop-in exhibition. For this occasion we put together a presentation of the products and video's that we developed in Jordan with Amman Design Week and the Gaza Camp in Jerash.

    September this year, a team of Jordanian, Palestinian and Dutch designers collaborated with local craftswomen and men from the Gaza refugee camp in Jerash to develop a series of thought-provoking products. On the invitation of Amman Design Week, and hosted by Darat al Funun, DDFP had put together a program where the participants designed items in interchange with the artisans. They started to investigate in their production processes, historties, their skills, and made works that could pass on the stories that were shared and can reflect on the complex reality of the people in the camp. The results were on display in the pop-in Expo at De Nieuwe Instituut.

    Pop-in Expo’s are bi-weekly changing presentations in the foyer, spotlighting a controversial new design, sensational research, work by an emerging talent or a new acquisition for the State Archive for Dutch Architecture and Urban Planning.

    Unveiled Souls
    Design: Mariam S. Shukri (JO), Qusai al Saify (PS)
    Production: Widad Sarhan, Aziza Abu Khatleh, Saber Abu Masoud (Gaza Camp, Jerash, JO)
    Materials: Cotton, rope, rings
    Behind the folds of this bag, beauty uncovers itself. Underneath every plication lies handmade embroidery inspired by Gaza patterns, representing lost memories brought together in one place made with dedication. This origami bucket bag was inspired by women in Gaza refugee camp, who unveiled their stories the more we got to know them.
    Lullaby
    Design: Fida Shafi (PS), Aya Abu Ghazaleh (PS, JO)
    Production: Firas Rashid, Wisal Al Qadi, Asma Ayesh, Hadeel Abu Amrah (Gaza Camp, Jerash, JO)
    Materials: Cotton, embroidery
    Inspired by Palestinian mothers seeking refuge and their struggles to create a safe haven for their babies, the blanket emerged as a reminder of endless and unwavering love for their children and the desire to protect them. The lullaby lyric is rooted in the memories and convictions of the artisans, and exemplifies being thankful for a newborn baby and offering those passing by something to drink. It is an ultra-soft, double-layer cotton blanket with mostly green embroidery and cheerful orange and yellow stitches, featuring patterns from both Beer Al Sabe’ and Gaza. During the design process, the artisans song the lullaby, which you can hear by scanning the QR code.
    Maisa
    Design: Nour Nsheiwat (JO), Rebekka Fries (NL)
    Production: Saber Abu Masoud(tailor), Zainab Abu Jamous, Yusra Abu Sil’a, Farha Khammash & Asma Ayesh (embroidery)
    Materials: Textile of school uniforms, cotton embroidery
    This apron captures the story of Maisa, who had the highest high school grades in Jordan. This would award Jordanian citizens a free scholarship for university, but because Maisa has no national ID number as a resident of the Gaza Refugee camp, she did not qualify. On the contrary, she was obliged to pay very expensive international fees, so she could not even afford to pursue her studies. She remained in the camp and gave up on her dreams. In response to Maisa’s story, this multi-functional and semi-professional apron was designed with fabric used for Jordanian school uniforms. It reflects on the fact that while the students in the Gaza camp very much focus on their education, their future career options are limited.
    Za’atar w zeit
    Design: Rand Abu Al-Sha’r (JO), Asja Keeman (NL)
    Production: Hasan Abu Siam (bowls), Siham Abu Nimeh (embroidery), Saber Abu Masoud (Tailor)
    Materials: Olive wood, fabric, embroidery, pulled string from rice or sugar bags
    Olive trees represent bravery. The tree can live for hundreds of years, sometimes even thousands, providing an economic resource and bearing the fruit of life for generations of Palestinians. Drought-resistant and able to grow under poor soil conditions, the olive tree has multiple agricultural functions: to make oil, to light a fire, to be harvested for soap, and to provide protection from the sun. This is why the ‘Under the Olive Tree’ hat was created, to symbolise that notwithstanding any hardship. By wearing this hat you too embody resilience and stability and that by standing under this tree you are protected.
    Carrying home
    Travel pouch to never return to the camp
    Design: Mohammad Ishtay (PS), Tessa Meeus (NL)
    Production:Hadeel Abu Amrah & Asma Ayesh, Saber Abu Masoud (Gaza camp, Jerash, JO)
    Materials: water resistant cotton, embroidery, metal rings for the strap
    Do you have a specific dream? “I have simple dreams. A life where I can enjoy any rights as other people do. My dream is the dream of my father, my mother and my grandfather. To return to the soul of Palestine and live in my hometown.” What if you ever had a chance to go back to Palestine just for one day, what would you take with you? “I don’t want to take anything with me, all I want is to go back to Palestine.” Wouldn’t you need anything? “Maybe I would just take my phone to communicate with my family.” What would you bring back here? “Well, I’m not coming back to bring something with me. But if I have to come back, I’ll bring the soul of my land, and olives. And photos of Jerusalem, photos of my hometown, and the Palestinian land.” The pouch gives space all the documentation that you need while traveling, as a tribute to Hadeel’s dream, one of the artisans in the Gaza camp. The patterns designed on the shoulder strap are an iconic embroidery sample of different Palestinian cities and regions that are becoming distorted.

    Exhibition design:
    Annelys de Vet, Ines Marques

    Workshop guidance: Ghadeer Dajani (Disarming Design’s production manager), Annelys de Vet (Disarming Design’s founder), Haya Bustami (Education and Community Outreach at Amman Design Week), Reem Marji (architect, Darat al Funun team), May Khoury (designer), Sara Mahasneh (intern), Isabel Zoetbrood (intern)

    Participating designers: Rand Abu al-Sha’r (JO), Architect, Asja Keeman (NL), Master Student Design Sandberg Instituut, Mohammad Ishtay (PS), Product and interior designer, Tessa Meeus (NL), Master Student Design Sandberg Instituut, Fida Shaffi (PS), Political scientist and designer, Sherida Kuffour (NL/GH), Master Student Design Sandberg Instituut, Nour Nsheiwat (JO), Designer, Rebekka Fries (NL), Sandberg Instituut Design alumni, Mariam S. Shukri (JO), Designer, Qusai al Saify (PS), Founder Origami Palestine, Aya Abu Ghazaleh (JO/PS), Artist and designer.

    Participating artisans: Ibtsam Aladine, Nouf Albarbary, Siham Abu Nimeh, Hasan Abu Siam, Saber Abu Masoud, Khadeja Abu Amrah, Sanaa Abu Amrah, Jaber Tayeh, Zainab Abu Jamous, Yusra Abu Sil’a, Farha Khammash, Asma Ayesh, Wisal Al Qadi, Hadeel Abu Amrah, Handa Abu Ateq, Muna Abu Ateq, Widad Sarhan, Aziza Abu khatleh, Zeinab Abu Jarar, Firas Rashid. Acknowledgments to the Amani Charity center

    Acknowledgments to: Amman Design Week Co-Directors Rana Beiruti and Abeer Seikaly, Darat al Funun founder Suha Shoman and director Luma Hamdan for making the workshop and exhibition in Darat al Funun possible.

    Heirloom seeds
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    Thought-provoking designs
    تصاميم لتحفيذ الفكر

    Heirloom seeds
    بذور بلديّة

    Seeds from the Palestine Heirloom seed library

    Available seeds at Disarming Design from Palestine:
    — Abu Samara (wheat)
    — Bamyeh / Okra (ladies’ fingers)
    — Molokhia (Jute Mallow)
    — Sabanikh (spinach)
    — Yakteen (gourd)
    — Zinnia Sabella (flower, edible petals)
    —
    Bitinjan (Eggplant)
    —
    Kusa

    On top of the political violence, Palestinian farmers also face the dangers of agribusiness with its corporate seed production and land dominance. But many of these farmers are the heroes who have been safeguarding the precious seeds, and the knowledge that these carry. Palestinian Heirloom seed varieties are under threat; many have gone extinct. These seeds have been passed down to us over the centuries, and carry in their genes the stories and the spirits of Palestinian indigenous ancestors. Aside from their cultural significance, these seeds carry options for our future survival as we face climate change and the erosion of agro-biodiversity worldwide. As such, it is urgent that we save heirloom seeds, and propagate them.

    Founded by Vivien Sansour, the Palestinian Heirloom Seed Library project seeks to preserve and promote heritage and threatened seed varieties, traditional Palestinian farming practices, and the cultural stories and identities associated with them. Based in the Village of Battir, a UNESCO World Heritage Site outside Bethlehem, the library also serves as space for collaborations with artists, poets, writers, journalists, and other members to showcase and promote their talents and work. Working closely with farmers, the Library has identified key seed varieties and crops threatened with extinction, and provides opportunities to inspire local farmers and community members to actively preserve their bio-culture and recuperate their local landscape.

    The library has also launched a global platform for conversations about bio-cultural heritage. Its Traveling Kitchen is a mobile venue for social engagement in different communities, promoting cultural preservation through food choices.

    Established 2014, Bethlehem, Palestine

    Learn more about the Palestinian Heirloom Seed Library and the work of Vivien Sansour on this website.

    For more on Abu Samara, listen to this song dedicated to the wheat by Zaid Hilal: Abu Samra أبو سمرة حبة القمح .

     

    Design
    • Vivien Sansour (PS)

      Vivien Sansour (Palestine) is a believer in the magic of the simple things in life. This magic represented in her work where seeds and soil are brought to life through her practice as a conservationist and writer. Vivien feels at home in the fields where farmers plant their seeds and share their stories. In her practice, Vivien combines the work of conservation with the sensory world of image and sound. She works with farmers around the world to find and reintroduce threatened crop varieties, and collects stories to assert the ownership of seeds by communities and not companies.

      Vivien was born in Palestine and grew up in Bethlehem. She does not live in one particular place as her work takes her to different communities around the world – from Palestine, California, Central America and the Caribbean. She is the founder of The Palestine Heirloom Seed Library and the Traveling Kitchen project, both initiatives aim to bring seed heritage back to the dinner table so we can, “eat our history rather than store it away as a relic of the past”.

    • Daleen Saah (PS)
    Production
    • 100% Palestinian heritage seeds

      harvest 2020, packed in 2021

      10 x 15cm (size of package, including seeding information inside)

    €7,50

    Clear
    About Contact
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    How can design help counteract unjust realities Rug industry was an essential part of their lifestyle Define what is needed to enhance social, political and emancipatory impact Disarming is an approach that positions design as a cultural tool to oppose oppression Storytelling can be seen as a form of resilience and resistance Giving space to other knowledges through a design process Collective memories highlight relationships that allow a crossing and intermingling between differences. Exploring how design can be a vehicle for political resistance and solidarity Investing in conditions for a learning experience that focuses on economic, political and artistic independence How to present work online and reach the right audience? Extraordinary people working in areas where cultural expression faces challenges The effect of occupation on local design and how it restricts craft and product development What does it mean to be Palestinian today, and how to express that through locally made designs? Overviewing methods and exercises on oral tradition A place for knowledge exchange and community building in relation to contemporary design How can we reflect, integrate and interact with oral tradition? “The only thing that gets me going is sharing stories.” What roles do listening, remembering and going public play in the performance of oral history? Ticking needles, curious questions, whispering experiments, rhythmic embroideries and a ping pong of ideas Supporting students and designers on reviving their industries of handicrafts and innovative production Can we think of freedom beyond a logic of progress? Learning together while doing Creating space for artists to link their designs with local histories. A collaborative process with high emphasis on creativity, collaboration, making and quality We felt powerless and were struggling how to relate to this uncomfortable truth Crafts are a social act that relates to the sense of a place, how a community is built How can we envision a political horizon beyond the realities around us? "Today in Birzeit." What is ‘home’? When and where are we at home? How can we change our surroundings and how can design contribute to the quality of life? Collaboratively developing a series of thought provoking products Showing the disarming reverse side of the black-and-white image
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    The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
    About Contact
    facebook
    The design is an invitation to the world to look closely Catalyse a broader view and prevent people from covering Reminding us to bear a greater responsibility towards life The false accusation may have ended, but the occupation has not Caring for identity is as important as protecting health itself Aside from their cultural significance, these seeds carry options for our future survival Catalysing a more open view and preventing people from covering over their own eyes when it comes to Palestine The more time we spend together, and listen, the more stories are unveiled A rapidly growing but comparatively small niche of Palestinian science fiction Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? “Record! I am an Arab, and my identity card is number 50 000” The Hirbawi factory is one of the only remaining factories to manufacture keffiyeh locally Wearing this unique piece on becomes both a political statement This apron shows what is the one and only recipe for its artist Our roots hold strong and silently in the earth Our trees are like our children The shared taxi is part of the West Bank urban landscape There are no possibilities of movement, since all the squares on the board are occupied Erasing the Israeli checkpoints from the landscape and envisioning a Palestine free from the occupation “We love life whenever we can” An illegal apartheid wall, on a scale impossible to imagine A flourishing craft industry established during the time of Roman rule in Palestine The artist decided to declare the existence of a non-existent state Only two soap factories survive today The occupation also takes part of the body and mind Living under occupation is an attack on people’s mental strength Most importantly they had the “Made in Palestine” tag on them The pattern of this keffiyeh is found and copied in Palestine Shoes have a long tradition as symbols of opposition and defiance You begin to realise that you have become yet another victim of the spell “I felt confused, between humiliation and joy" The birds’ freedom of flight and movement is in sharp contrast Behind each of these numbers there is a personal story The plates connect different locations in the world to Gaza The embroidery on this scarf is based on a traditional scarf in Gaza Travelling with a Palestinian Authority passport is still subject to many limitations Is it even possible to be neutral in situations of oppression? Why do we too rarely address the contemporary reality of this city and region Talking about Palestinian football is rare, although there is a national team This tailor-made garment is fragile Why can’t we be as generous as nature itself?
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