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Open Call
دعوة مفتوحة Antwerp, december 2024
The only lexicon left
المعجم الوحيد المتبقي Kunsthal Gent, 22 June 2024
On artist-run solidarity platforms
على منصات التضامن التي يديرها الفنانون Kunsthal Gent, 21-22 March, 2024
Leaving 2023 in grief
مغادرة عام 2023 في الحزن A year in retrospect, 2023
Ways to translate solidarity to action
طرق ترجمة التضامن إلى عمل 20 October 2023
Infrastructures for solidarity through design
مقومات للتضامن من خلال التصميم Pianofabriek, Brussels, 5-6 October 2023
Disarming Design ?
تصاميم مجرّدة Forum+, February 2023
Qastina is to root myself again
قسطينة يعيدني لجذوري من جديد Bethlehem-Brussels, 15 February 2023
2022, a year to solidify
عام 2022 ، سنة يجب ترسيخها Palestine, Belgium and beyond, 2022
From Checkpoint bag to Blacksac
من شنطة الحاجز إلى البلاك ساك Al Quds, 2015 – Al Khalil, 2022
2021, a year in retrospect
٢٠٢١ سنة مفصليّة January 2022
Call for solidarity
نداء للتضامن Until liberation
Masters programme Disarming design
ماجستير معهد ساندبرج Sandberg Instituut Amsterdam, 2020 — 2022
Design for Disarming times
التصميم لأوقاتنا المجرِّدة Onomatopee publishers, 2020
Life of the Palestinian rug
ورشة البساط الفلسطيني Birzeit, September - October 2020
Facemask from Gaza
قناع الوجه من غزة August 2020
Hosh Jalsa
حوش جلسة Birzeit, 2018 – 2020
Marketing workshop
ورشة التسويق Birzeit, January – February 2020
Bags Prince Claus Awards
حقائب صندوق الأمير كلوز Amsterdam, 4 December 2019
Crossing Boundaries lecture
محاضرة "اجتياز الحدود" VCUQatar, Doha, 19-22 November 2019
Intimate terrains
إقتراب الآفاق Birzeit, 21–29 august 2019
The real and the absent
جسور من الماضي Birzeit, June – September 2019
Young artisans market
سوق الحرفيّين الشّباب Birzeit, 2019
Reworlding Ramallah
إعادة قولبة العالم : رام الله Birzeit, January – April 2019
Thought-provoking December gifts
هدايا محفّزة للفكر في فترة الأعياد Droog, Amsterdam, 6 December 2018 – 6 January 2019
Collective thinking
تفكير جماعي Hosh Jalsa, Birzeit, November – December 2018
My house is your house
البيت بيتك Design Museum Ghent, 16 February – 15 April 2018
Nieuwe Instituut
معرض نيوي انستتوت Het Nieuwe Instituut, Rotterdam, november 2017
Amman Design Week
أسبوع عمان للتصميم Darat al Funun, Amman, October 2017
Dream versus reality
الحلم مقابل الواقع Amman, September 2017
Dream Defenders
مجموعة "دريم ديفندرز" Ramallah, 17 August 2017
Design Museum Cologne
متحف التصميم، كولونيا Cologne, 14 May 2017
Henry Van De Velde Awards
جائزة هنري فان دي فيلد Bozar, Brussels, January – February 2017
Reaching beyond borders
تجاوز الحدود January, 2017
Welcome home
الدار دارك Ramallah, 8 – 30 October 2016
Hosh Qandah, create-shop 2016
حوش قندح، ورشة التصميم ٢٠١٥ Ramallah, August – September 2016
Gaza & Jerusalem, create-shop 2015
ورشة التصميم من غزة للقدس Gaza & Jerusalem, 26 August – 8 September 2015
Qalandiya international
قلنديا الدولي IAAP, Ramallah, 27 October – 15 November 2014
Ramallah, Create-shop 2014
ورشة التصميم ٢٠١٤ Ramallah, Bethlehem, 21 October – 7 November 2014
Eye on Palestine
العين على فلسطين KVS, Brussels, 24 March – 5 April 2014
Conflict & design
التصميم و الصراع C-Mine, Genk, 15 December 2013 – 9 March 2014
Bethlehem, create-shop 2013
ورشة التصميم ٢٠١٣ Bethlehem, 30 Sep – 12 Oct 2013
Ramallah, create-shop 2012
ورشة التصميم ٢٠١٢ Ramallah, Bethlehem, Hebron, Nablus, 1 – 15 September 2012
Subjective atlas of Palestine
أطلس فلسطين الذاتي Ramallah, 2007
Awakening goggles
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Awakening goggles
قناع الصحوة

Sleeping mask embroidered with the eyes of the artisans

On flights, many people use eyemasks to block out the light so they can doze. The dark allows for a deeper state of sleep. This eyemask is hand-embroidered by women working at the Open Studio of the Red Crescent Hospital in Khan Younis, Gaza. The women depict their own eyes on these masks, allowing them to see beyond the walls of the Gaza Strip, under siege since 2007.

These Awakening goggles are designed to symbolically envision Palestinian women travelling around the world, while catalysing a broader, more open view and preventing people from covering their own eyes when it comes to the occupation of Palestine. 

 

Design
  • Tessel Brühl (NL)

    Tessel Brühl is a Dutch designer based in Amsterdam, where she attended the master in Think Tank for visual Strategies at the Sandberg Instituut (Master Rietveld Academie). She makes clothing, objects, performances and short films to change, disturb and highlight unconscious structures in society. OLIVE TREE I love trees; I love my olive trees; my trees; have feelings; when I stand; on the ground; with their roots; under my feet we feel each other our roots hold strong and silently in the earth no one will move us my trees are one three and eight years old my trees are like my children I couldn’t live without them I eat the olives the oil the seeds become beads the wood heats my house and the leaves spread this story

    www.tesselbruhl.nl

Production
  • Open Studio (PS)

    The Open Studio is a center in Khan Younis where knowledge and know-how are exchanged. Khan Younis is a small town in Gaza with a large refugee camp that has existed for over 60 years and is still growing. It is an Islamic Arab culture that has been cut-off from the outside world; the largest prison on earth. If the political situation allows, artists from abroad visit the Open Studio to participate and teach.

  • 2013

    Embroidery on textile

    19 x 6,5 cm

25,00

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